“The history of English poetry in verse in the story of the exhaustion of the effects to be obtained from rhyme and meter of the exploitation of a mine in which the most lodes have at last given out.”

— F. S. Flint

Otherworld Cadences (1920)

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F. S. Flint 12

English Imagist poet 1885–1960

F. S. Flint (1885–1960) English Imagist poet

Otherworld Cadences (1920)

“[Rhyme is] but the invention of a barbarous age, to set off wretched matter and lame Meter; … Not without cause therefore some both Italian and Spanish poets of prime note have rejected rhyme, … as have also long since our best English tragedies, as… trivial and of no true musical delight; which [truly] consists only in apt numbers, fit quantity of syllables, and the sense variously drawn out from one verse into another, not in the jingling sound of like endings, a fault avoided by the learned ancients both in poetry and all good oratory.”

John Milton (1608–1674) English epic poet

Introduction to Paradise Lost Added, 1668

“Among those today who believe that modern poetry must do without rhyme or metre, there is an assumption that the alternative to free verse is a crash course in villanelles, sestinas and other such fixed forms. But most…are rare in English poetry. Few poets have written a villanelle worth reading, or indeed regret not having done so.”

James Fenton (1949) poet

Source: An Introduction to English Poetry (2002), Ch. 3: The Training of the Poet (p. 21)

“Another danger is that commercial pressures of one sort or another will divert the attention of the best thinkers from real innovation to exploitation of the current fad, from prospecting to mining a known lode.”

Dennis M. Ritchie (1941–2011) American computer scientist

Reflections on Software Research (1984)

“Rhyme is the native condition of lyric verse in English; a rhymeless lyric is a maimed thing.”

Algernon Charles Swinburne (1837–1909) English poet, playwright, novelist, and critic

Essays and Studies (1875), p. 162.

“The blueprints of verse can be used to build things made of literal, or nonpoetic material, which is why most verse is not poetry.”

John Hollander (1929–2013) American poet

“Still haunted by Haiku, and tried my hand at it, but I fall pitifully short of the Wordsworthian touch. But failure in this realm turned my mind to an old enthusiasm of mine, the Welsh englyn. This verse form was derived by the Welsh from the inscriptions which their Roman conquerors put on tombs … A good englym must have four lines, of ten, then six, syllables, the last two lines having seven syllables each. In the first line there must be a break after the seventh, eighth, or ninth syllable, and the rhyme with the second line comes at this break; but the tenth syllable of the first line must either rhyme or be in assonance with the middle of the second line. The last two lines must rhyme with the first rhyme in the first line, but the third or fourth line must rhyme on a weak syllable. Got that?”

Robertson Davies (1913–1995) Canadian journalist, playwright, professor, critic, and novelist

"Haiku and Englyn" in The Toronto Daily Star (4 April 1959), republished in The Enthusiasms of Robertson Davies (1979) edited by Judith Skelton Grant, p. 241.

“I tend to write in patterned arrangement with rhymes.. I try to secure an effect of flowing continuity and the correspondence between verse and music.”

Marianne Moore (1887–1972) American poet and writer

Oxford Anthology of American Literature 1938
Prose

“It is the power to combine that labour has the most effective safeguard against exploitation and the only lasting security against inhuman conditions.”

V. V. Giri (1894–1980) Indian politician and 4th president of India

Lakshmidhar Mishra in: Human Bondage: Tracing Its Roots in India http://books.google.co.in/books?id=WNuGAwAAQBAJ&pg=PA425, SAGE Publications India, 12 July 2011, p. 425
From his book On the “Labour Problems in Indian Industry”

“Then one can't make a living out of poetry?"
"Certainly not. What fool expects to? Out of rhyming, yes.”

Jack London Martin Eden

Source: Martin Eden (1909), Ch. XXXII

“The history of English poetry in verse in the story of the exhaustion of the effects to be obtained from rhyme and meter of the exploitation of a mine in which the most lodes have at last given out.”

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