Life & Times of Michael K (1983)
Context: He closed his eyes and tried to recover in his imagination the mudbrick walls and reed roof of her stories, the garden of prickly pear, the chickens scampering for the feed scattered by the little barefoot girl. And behind that child, in the doorway, her face obscured by shadow, he searched for a second woman, the woman from whom his mother had come into the world. When my mother was dying in the hospital, he thought, when she knew her end was coming, it was not me she looked to but someone who stood behind me: her mother or the ghost of her mother. To me she was a woman but to herself she was still a child calling to her mother to hold her hand and help her. And her own mother, in the secret life we do not see, was a child too. I come from a line of children without end.
“I have the utmost respect for her because, even as an established actress, she still comes to class. She still works on developing herself as an artist.”
On Laura Dern; as heard in the Laura Dern episode https://www.youtube.com/watch?v=GGmZx1-eZrU&t=307 of Intimate Portrait; broadcast February 16, 1999
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Sandra Seacat 10
American acting teacher and actress 1936Related quotes

on his mom, Dolly Wiseman. Spin (October 2001)

January, 1921
India's Rebirth
Context: India of the ages is not dead nor has she spoken her last creative word; she lives and has still something to do for herself and the human peoples. And that which must seek now to awake is not an anglicised oriental people, docile pupil of the West and doomed to repeat the cycle of the occident's success and failure, but still the ancient immemorable Shakti recovering her deepest self, lifting her head higher towards the supreme source of light and strength and turning to discover the complete meaning and a vaster form of her Dharma.

A Conversation with Ward Cunningham (2003), Working the Program

Letter to Isabelle Amorous (February 1920)
Quoted, Letters

Penelope Cruz, on working with Berry in Gothika — reported in Los Angeles Daily News staff (November 20, 2003) "American Gothika; Halle Berry overcomes her career fear to take first marquee role in horror film", The Guelph Mercury, p. F12.
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Quoted in Käthe Kollwitz: Woman and Artist (1976) by Martha Kearns The Feminist Press, ISBN 0-912-67015-0, p. 82.
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