As quoted in Marvin Zonis (1991), Majestic Failure: The Fall of the Shah, p. 57.
Attributed
“I was writing for businesses. I think my mother was a little skeptical in the beginning, but fortunately, as a free-lance writer I was successful almost immediately. And so she was very proud, because she measured success in terms of money, which is what I started to do as well. My goal then, became to increase the amount of money that I made each month. Not simply each year, but each month — I mean, talk about pressure — to have more billable hours each month. So that by the end of my third year of being a free-lance writer, I was billing 90 hours a week. I had no time to sleep. I had no life. People said I was crazy, that I was a workaholic. And I couldn't understand how it was that I had these wonderful clients, and I was making all this money, and I wasn't happy and I didn't feel successful. That's when I started to write fiction.”
American Acheivement interview (1996)
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Amy Tan 89
American novelist 1952Related quotes
in a letter to Frédéric Bazille; as quoted in: K.E. Sullivan. Monet: Discovering Art, Brockhampton press, London (2004), p. 31.
1850 - 1870
Response to the question "Is There A God?" by Stephen Thompson AVClub (9 October 2002) http://www.avclub.com/content/node/24569
Source: Who Is Man? (1965), Ch. 5<!-- The sense of the ineffable, p. 88 -->
Context: Our concern with environment cannot be reduced to what can be used, to what can be grasped. Environment includes not only the inkstand and the blotting paper, but also the impenetrable stillness in the air, the stars, the clouds, the quiet passing of time, the wonder of my own being. I am an end as well as a means, and so is the world: an end as well as a means. My view of the world and my understanding of the self determine each other. The complete manipulation of the world results in the complete instrumentalization of the self.
Interview with Mark Shapiro (2000)
Erika Jayne interview to Iris Covet Book https://iriscovetbook.com/exclusive-erika-jayne/ (2018)
Source: The Repossession Mambo (2009), Chapter 12 (p. 187)