
“There are questions which, once approached, either isolate you or kill you outright.”
On the Heights of Despair (1934)
La force qui tue est une forme sommaire, grossière de la force. Combien plus variée en ses procédés, combien plus surprenante en ses effets, est l'autre force, celle qui ne tue pas; c'est-à-dire celle qui ne tue pas encore.
in The Simone Weil Reader, p. 155
Simone Weil : An Anthology (1986), The Iliad or The Poem of Force (1940-1941)
La force qui tue est une forme sommaire, grossière de la force. Combien plus variée en ses procédés, combien plus surprenante en ses effets, est l'autre force, celle qui ne tue pas; c'est-à-dire celle qui ne tue pas encore.
Simone Weil : An Anthology (1986), The Iliad or The Poem of Force (1940-1941)
“There are questions which, once approached, either isolate you or kill you outright.”
On the Heights of Despair (1934)
IT Conversations: Bruce Schneier, Schneier, Bruce, Doug Kaye, 2004-04-16 http://www.itconversations.com/shows/detail119.html,
Human perception of reality, risk and terrorism
“One does not learn how to die by killing others.”
Book IX: Ch. 4: Danton – Camille Desmoulins – Fabre d’Églantine.
Mémoires d'outre-tombe (1848 – 1850)
The Rebel (1951)
Context: One might think that a period which, in a space of fifty years, uproots, enslaves, or kills seventy million human beings should be condemned out of hand. But its culpability must still be understood... In more ingenuous times, when the tyrant razed cities for his own greater glory, when the slave chained to the conqueror's chariot was dragged through the rejoicing streets, when enemies were thrown to the wild beasts in front of the assembled people, the mind did not reel before such unabashed crimes, and the judgment remained unclouded. But slave camps under the flag of freedom, massacres justified by philanthropy or by a taste for the superhuman, in one sense cripple judgment. On the day when crime dons the apparel of innocence — through a curious transposition peculiar to our times — it is innocence that is called upon to justify itself.
Source: Stamping Butterflies (2004), Chapter 10 (p. 71)
Source: Part II : Practical Pictorial Photography, Some examples in composition, p. 60
Du pouvoir de transformer un homme en chose en le faisant mourir procède un autre pouvoir, et bien autrement prodigieux, celui de faire une chose d'un homme qui reste vivant.
in The Simone Weil Reader, p. 155
Simone Weil : An Anthology (1986), The Iliad or The Poem of Force (1940-1941)