“Motherhood and all the sentimentality that goes with Mother's Day was not congenial to the Greek mind. They were a remarkably unsentimental people; they had no particular reverence for children, nor did they regard them as a special and privileged portion of society. It would not have occurred to them to erect a vast temple to Mickey Mouse. They left that for us.”

The Noble Greeks.

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Robertson Davies 282
Canadian journalist, playwright, professor, critic, and nov… 1913–1995

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“However, he had a particular bent for mythology and carried his researches in it to such a ridiculous point that he would test professors of Greek literature – whose society, as I have already mentioned, he cultivated above all others – by asking them questions like: "Who was Hecuba's mother?" – "What name did Achilles assume when he was among the girls?" – "What song did the Sirens sing?"”
Maxime tamen curavit notitiam historiae fabularis usque ad ineptias atque derisum; nam et grammaticos, quod genus hominum praecipue, ut diximus, appetebat, eius modi fere quaestionibus experiebatur: "Quae mater Hecubae, quod Achilli nomen inter virgines fuisset, quid Sirenes cantare sint solitae."

Cf. Thomas Browne, Urn Burial, Ch. V
Source: The Twelve Caesars, Tiberius, Ch. 70

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“In return he left behind Darius's mother, daughters and the son whom he had captured at Issus, and appointed teachers to teach them the Greek language.”

Robin Lane Fox (1946) Historian, educator, writer, gardener

Source: Alexander the Great, 1973, p.254

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“Mickey Mouse is, to me, a symbol of independence.”

Walt Disney (1901–1966) American film producer and businessman

Quoted in A Walt Disney World Resort Outing : The Only Vacation Planning Guide Exclusively for Gay and Lesbian Travelers (2002) by Dann Hazel and Josh Fippen, p. 211, and Organisation And Complexity : Using Complexity Science to Theorise Organisational Aliveness (2004) by Jacco van Uden, p. 43
Context: Mickey Mouse is, to me, a symbol of independence. He was a means to an end. He popped out of my mind onto a drawing pad 20 years ago on a train ride from Manhattan to Hollywood at a time when business fortunes of my brother Roy and myself were at lowest ebb and disaster seemed right around the corner. Born of necessity, the little fellow literally freed us of immediate worry. He provided the means for expanding our organization to its present dimensions and for extending the medium of cartoon animation toward new entertainment levels. He spelled production liberation for us.

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