
“The society of the Culture-Philistines makes life a burden to exceptional men.”
Source: An Essay on Aristocratic Radicalism (1889), p. 10
"White Men Sweating" - review of The British in Malaya 1880-1941: The Social History of a European Community in Colonial South-East Asia, by John G. Butcher.
Non-Fiction, Homage to QWERT YUIOP: Selected Journalism 1978-1985 (1986)
“The society of the Culture-Philistines makes life a burden to exceptional men.”
Source: An Essay on Aristocratic Radicalism (1889), p. 10
Source: The Obstacle Race (1979), Chapter V: Dimension (p. 105)
Context: Great art, for those who insist upon this rather philistine concept (as if un-great art were unworthy of even their most casual and ill-informed attention), makes us stand back and admire. It rushes upon us pell-mell like the work of Rubens or Tintoretto or Delacroix, or towers above us. There is of course another aesthetic: the art of a Vermeer or a Braque seeks not to amaze and appal but to invite the observer to come closer, to close with the painting, peer into it, become intimate with it. Such art reinforces human dignity.
The Decline and Fall of Practically Everybody (1950), Part III: Strange Bedfellows, Charlemagne
“In Robert's experience there were two kinds of classicists, the mad and the disconcertingly sane.”
Page 48.
The Noonday Devil (1987)
"Geoffrey Blainey: I can see parts of our history with fresh eyes," The Australian (February 21, 2015)
Apology to Residential School victims, Parliament, June, 2008.: On Canada
2008
Introduction
The Common Background of Greek and Hebrew Civilizations (1965 [1962])