
The New York Times Magazine (9 October 1960)
1970's, Conversations with Samuel Beckett and Bram van Velde (1970 - 1972)
The New York Times Magazine (9 October 1960)
“It is completely unimportant. That is why it is so interesting.”
Source: The Murder of Roger Ackroyd
as quoted in: 'Frédéric Bazille and the Birth of Impressionism', Corrinne Chong, PhD -independent scholar http://www.19thc-artworldwide.org/autumn17/chong-reviews-frederic-bazille-and-the-birth-of-impressionism
Quotes, undated
“Instrumentation is to music precisely what color is to painting.”
Cette face de l’instrumentation est exactement, en musique, ce que le coloris est en peinture.
A travers chants (1862), ch. 1 http://www.hberlioz.com/Writings/ATC01.htm; Elizabeth Csicsery-Rónay (trans.) The Art of Music and Other Essays (Bloomington: Indiana University Press, 1994) p. 5.
“You are precisely as big as what you love and precisely as small as what you allow to annoy you.”
“Painting doesn't interest me... What I paint is beyond painting.”
1960's, Conversations with Samuel Beckett and Bram van Velde' (1965 - 1969)
“Whatever is valuable in painting is precisely what one is incapable of talking about.”
two quotes by Braque, in 'Les Problèmes de la Peinture', interview with Gaston Diehl Paris 1945
1921 - 1945
Source: 1980s, Trump: The Art of the Deal (1987), p. 1