“With sociology one can do anything and call it work.”
Source: Eating People is Wrong (1959), Ch. 7
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Malcolm Bradbury 25
English author and academic 1932–2000Related quotes

Source: A Thousand & One Epigrams: Selected from the Writings of Elbert Hubbard (1911), p. 151


“Sometimes it is the people no one can imagine anything of who do the things no one can imagine.”
Variant: Sometimes it is the people who no one imagines anything of who do the things that no one can imagine.

“One can never do anything so beautiful as nature.”
Source: Rodin : the man and his art, with leaves from his notebook, 1917, p. 300

“Anything I can sing, I call a song. Anything I can't sing, I call a poem.”
Liner notes https://bobdylan.com/albums/freewheelin-bob-dylan/, The Freewheelin' Bob Dylan (1963)
Becker (1972) "'Radical politics and sociological research" cited in: John Peter Sugden, Alan Tomlinson (2002) Power Games: A Critical Sociology of Sport. p. 108.
The Abolition of Work (1985)
Context: No one can say what would result from unleashing the creative power stultified by work. Anything can happen. The tiresome debater's problem of freedom vs. necessity, with its theological overtones, resolves itself practically once the production of use-values is co-extensive with the consumption of delightful play activity. Life will become a game, or rather many games, but not—as it is now — a zero/sum game. An optimal sexual encounter is the paradigm of productive play. The participants potentiate each other's pleasures, nobody keeps score, and everybody wins. The more you give, the more you get. In the ludic life, the best of sex will diffuse into the better part of daily life. Generalized play leads to the libidinization of life. Sex, in turn, can become less urgent and desperate, more playful.
If we play our cards right, we can all get more out of life than we put into it; but only if we play for keeps.
No one should ever work.
Workers of the world... relax! </center

in a letter from to his art-dealer Durand-Ruel, 30 March 1893; as quoted in: Christoph Heinrich (2000), Monet, p. 57
1890 - 1900