“Degas was discussing poetry with Mallarmé; "It isn't ideas I'm short of… I've got too many", said Degas. "But Degas," replied Mallarmé, "you can't make a poem with ideas. … You make it with words.”

“At an exhibition in London, one sagacious critic wrote: 'Monsieur Degas seems a good pupil of Nittis!' Doesn't this reflect that mania which men of letters have for squabbling in court over who had a given idea first? And the mania spreads to painters who take great care of their originality.”

“A painter makes patterns with shapes and colours, a poet with words. A painting may embody an ‘idea’, but the idea is usually commonplace and unimportant. In poetry, ideas count for a good deal more; but, […] the importance of ideas in poetry is habitually exaggerated: '… Poetry is not the thing said but a way of saying it.' [In poetry, ] the poverty of the ideas seems hardly to affect the beauty of the verbal pattern.”

“To anyone who is not an artist it must seem rather strange that Degas who could do anything — for whom setting down what he saw presented no difficulties at all — should have continued to draw the same poses year after year — often, it would seem, with increasing difficulty. Just as a classical dancer repeats the same movements again and again, in order to achieve a greater perfection of line and balance, so Degas repeats the same motifs, it was one of the things that gave him so much sympathy with dancers. He was continually struggling to achieve an idea of perfect form, but this did not prevent him looking for the truth in what might seem an artificial situation.”

“I'm not insecure. I've been through way too much f**king sh*t to be insecure. I've got huge balls. But I've been humbled. That makes you grateful for every day you have.”

“Only the bad artists of the nineteenth century were frightened by the invention of photography; the good ones all welcomed it and used it. Degas liked it not only because it provided an accurate record, but because the snapshot showed him a means of escape from the classical rules of design. Through it he learnt to make a composition without the use of formal symmetry.”

“You can woo a girl with a poem, but you can't hold onto her with a poem. Not even with a poetry movement.”

“That idea only makes sense if you don’t think too hard about it.”

“[With] 140 words in Chinese, you really can write a novel. Most of Confucius’s sentences [are] only four words, so 140 words [might] take his whole life to write. And you can discuss the most profound ideas related to democracy, freedom, poetry.”

“No one wants to read poetry. You have to make it impossible for them to put the poem down--impossible for them to stop reading it, word after word. You have to keep them from closing the book.”