"Modern Examples of Background Physics" ["Moderne Beispiele zur Hintergrundsphysik"] (1948) as translated by David Roscoe in Atom and Archetype (1992) edited by Carl Alfred Meier
Context: It seems significant that according to quantum physics the indestructibility of energy on one hand — which expresses its timeless existence — and the appearance of energy in space and time on the other hand correspond to two contradictory (complementary) aspects of reality. In fact, both are always present, but in individual cases the one or the other may be more pronounced.
“The modern scientific worldview with all its hope for clarity and precision, has a "flipside," a complementary set of views which it generates as its train. And this is its misology, sophistry, its abandonment of rationality in the world of human significance. There is thus a quite literal type of schizophrenia in the world bequeathed to us by the Cartesians. It is, on the one hand, hyper-rational; it seeks to extend the purview of mathematical physics throughout the universe. On the other hand, it relegates the world in which the physicist himself dwells, the unique world of humanity and its communities, to the junkpile of the irrational. We who know so much are prohibited from knowing ourselves.”
The Tragedy of Reason: Toward a Platonic Conception of Logos (Routledge: 1991), p. 74.
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David Roochnik 1
American philosopher 1951Related quotes
The Ocean of Theosophy by William Q. Judge (1893), Chapter 2, General Principles
Source: Quantum Reality - Beyond The New Physics, Chapter 1, The Quest For Reality, p. 2
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The Theatre of the Absurd (1961)
Context: The Theatre of the Absurd strives to express its sense of the senselessness of the human condition and the inadequacy of the rational approach by the open abandonment of rational devices and discursive thought. While Sartre or Camus express the new content in the old convention, the Theatre of the Absurd goes a step further in trying to achieve a unity between its basic assumptions and the form in which these are expressed. In some senses, the theatre of Sartre and Camus is less adequate as an expression of the philosophy of Sartre and Camus — in artistic, as distinct from philosophic, terms — than the Theatre of the Absurd.
" The evolution of adventure in literature and life or Will there ever be a good adventure novel about an astronaut? http://tuvalu.santafe.edu/~jdf/papers/adventure4.pdf".
The Need for Transcendence in the Postmodern World (1994)