“Any movie about cult figure Charles Manson needs lots of sex, drugs and blood. But as John Roecker discovered while filming his first feature -- screening Friday and Saturday only at the Avalon -- the key to amping up the gore is an old standby: puppets.”

— John Roecker

[The Washington Post, The Washington Post Company, Film Notes: John Roecker's 'Freaky' Puppet Show, January 27, 2006, Christina, Talcott, http://www.washingtonpost.com/wp-dyn/content/article/2006/01/26/AR2006012600739.html]
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American film director 1966

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“Live Freaky! Die Freaky! will be, without a shadow of a doubt, the single greatest film of all time about Charles Manson being the savior to all humanity in the year 3069.”

John Roecker (1966) American film director

An Epic Interview with John Roecker, FilmJerk, www.filmjerk.com, Kristopher, Terrell, August 23, 2003 http://www.filmjerk.com/interviews/article.php?id_int=12,
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“Wal-Mart has made it known that it will decline to stock Roecker's film, an honor despite itself and one that speaks volumes about Roecker's talents.”

John Roecker (1966) American film director

[Austin Chronicle, http://www.austinchronicle.com/screens/2006-01-27/329543/, Punk, Puppets, and Manson as Messiah: John Roecker on 'Live Freaky! Die Freaky!', January 27, 2006, Marc, Savlov, Austin Chronicle Corp.]
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“A puppet of the Gods is a tragic figure, a puppet suspended on his chromosomes is merely grotesque.”

Arthur Koestler (1905–1983) Hungarian-British author and journalist

Epilogue
The Sleepwalkers: A History of Man's Changing Vision of the Universe (1959)
Context: The uomo universale of the Renaissance, who was artist and craftsman, philosopher and inventor, humanist and scientist, astronomer and monk, all in one, split up into his component parts. Art lost its mythical, science its mystical inspiration; man became again deaf to the harmony of the spheres. The Philosophy of Nature became ethically neutral, and "blind" became the favourite adjective for the working of natural law. The space-spirit hierarchy was replaced by the space-time continuum.... man's destiny was no longer determined from "above" by a super-human wisdom and will, but from "below" by the sub-human agencies of glands, genes, atoms, or waves of probability.... they could determine his fate, but could provide him with no moral guidance, no values and meaning. A puppet of the Gods is a tragic figure, a puppet suspended on his chromosomes is merely grotesque.

“There isn't one role I'd like to play. There are many and there are none. I've always admitted to being a prostitute. I sell myself for money. I don't have to see myelf up on the screen as Napoleon to feel satisfied about a movie. If you pay me a lot of money, I'll be in your film.”

Klaus Kinski (1926–1991) German actor

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“Even high security prisoners like Charles Manson are testing positive in prison for illicit drugs… Our laws are not deterring many people from a life of drug abuse and drug trafficking, and if we cannot even keep these drug out of our prisons, how can we expect to keep them out of our communities?”

James P. Gray (1945) American judge

Source: Why Our Drug Laws Have Failed and What We Can Do About It: A Judicial Indictment of the War on Drugs, 2011, p. 49

“I want to do kiddie movies now. I'm fed up with adult movies — most of them stink. At a certain point with movies it becomes all about mathematics: this has to lead up to this, this has to lead up to that — you're always bound by some kind of formula. But since having kids and watching lots of animated cartoons and all those great old Disney films, I think they're better, they're much better. They're more fun and they take more risks.”

Johnny Depp (1963) American actor, film producer, and musician

Quoted in Jessamy Calkin, "One That Got Away," http://www.johnnydeppfan.com/interviews/telegraphmag.htm The Daily Telegraph Magazine (2002-08-03)

“That old standby of melodrama, the rich uncle shoved into the bin so the greedy relatives could get their hands on his estate, had a sound basis in fact. The Victorians cleaned up the straw and the chains of the old Bedlam-like institutions of the eighteenth century, but they didn't always clean up the practices. Patients were drugged, starved, drained of vast quantities of blood, beaten up, swung from ropes, immersed in cold water and whirled around in the air upside-down, all in the belief that it would improve their mental states. Ask yourself whether this is likely to have been true.”

Margaret Atwood (1939) Canadian writer

Ophelia Has a Lot to Answer For (1997)

“The red-faced president took afternoon tea
With her majesty The Queen
And they watched old films flicker
Across the old palace movie screen
Crying, "What a shame!"
As she slipped in the rain
Poor dancing girl
Well, she won't dance again…”

Pete Doherty (1979) English musician, writer, actor, poet and artist

"Radio America"(with Carl Barat)
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“I always felt that the telefilm directors made wonderful films, which are even better than the big screen movies, but never got enough opportunities to showcase their talents on the big screens.”

Arin Paul (1980) Indian film director

Interview on Calcuttatube http://calcuttatube.com/arin-paul-exclusive-interview/1608/ (2009)

“I just decided to make a movie. I had no training, no film school, but I had been to a lot of movies.”

Michael Moore (1954) American filmmaker, author, social critic, and liberal activist

As quoted in "Wait Wait Don't Tell Me" (23 June 2007)
2009

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