“Let dull critics feed upon the carcasses of plays; give me the taste and the dressing.”

On Critics
Writers at Work (1977)

"Chinese Whiskers," FAQ #18: "Did Cat Stevens Say, ‘Kill Rushdie!’?," Mountain of Light http://www.mountainoflight.co.uk/talks_cw.html (undated)
Context: In 1989, during the heat and height of the Satanic Verses controversy, I was silly enough to accept appearing on a program called Hypotheticals which posed imaginary scenarios by a well-versed (what if…?) barrister, Geoffrey Robertson QC. I foolishly made light of certain provocative questions. When asked what I’d do if Salman Rushdie entered a restaurant in which I was eating, I said, “I would probably call up Ayatollah Khomeini”; and, rather than go to a demonstration to burn an effigy of the author, I jokingly said I would have preferred that it'd be the “real thing”.
Criticize me for my bad taste, in hindsight, I agree. But these comments were part of a well-known British national trait; a touch of dry humor on my part. Just watch British comedy programs like "Have I Got News For You" or “Extras”, they are full of occasionally grotesque and sardonic jokes if you want them! … Certainly I regret giving those sorts of responses now. However, it must be noted that the final edit of the program was made to look extremely serious; hardly any laughs were left in and much common sense was savagely cut out. Most of the Muslim participants in the program wrote in and complained about the narrow and selective use of their comments, surreptitiously selected out of the 3-hour long recording of the debate. But the edit was not in our hands. Balanced arguments were cut out and the most sensational quotes, preserved.

Source: Quoted in Romance of the Cow https://books.google.it/books?id=HSHOAAAAMAAJ by Dahyabhai H. Jani, The Bombay Humanitarian League, 1938, p. 81.

Attributed

ibid
The Rahotep series, Book 2: Tutankhamun

Song 22: "Against Pride in Clothes".
1710s, Divine Songs Attempted in the Easy Language of Children (1715)

"The Individual, Society and the State" (1940) http://www.marxists.org/reference/archive/goldman/works/1940/individual.htm
Context: The strongest bulwark of authority is uniformity; the least divergence from it is the greatest crime. The wholesale mechanisation of modern life has increased uniformity a thousandfold. It is everywhere present, in habits, tastes, dress, thoughts and ideas. Its most concentrated dullness is "public opinion." Few have the courage to stand out against it. He who refuses to submit is at once labelled "queer," "different," and decried as a disturbing element in the comfortable stagnancy of modern life.

"Dolce far Niente", Stanza 4, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

On being asked to return to her "natural" brunette hair, when actually she is naturally a blonde who occassionally dyes her hair darker, in "This Just In!" (30 January 2007)