Women and Madness (N.Y.: Palgrave Macmillan, rev'd & updated ed., 1st ed., 2005, ISBN 1-4039-6897-7, pp. 337–338 (emphases in original), and Women and Madness (Garden City, N.Y.: Doubleday, 1972, ISBN 0-385-02671-4, p. 287 (emphases in original).
Women and Madness (1972, 2005)
“For women not to fear rape because we can successfully defend ourselves against it is not anachronistic but revolutionary. For women to be considered as potential warriors (in every sense of the word, including its physical representation) is not anachronistic but revolutionary. If realized, it might imply a radical change in modern life. ...
What would it mean for a woman to be a warrior today? How could modern women control the means of production and reproduction?”
Women and Madness (2005), p. 340 (emphasis in original), and see Women and Madness (1972), pp. 290–291 (similar text).
Women and Madness (1972, 2005)
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Phyllis Chesler 12
Psychotherapist, college professor, and author 1940Related quotes
Source: Of Woman Born: Motherhood as Experience and Institution
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“Could women's liberation ever be a revolutionary movement, not rhetorically but on the ground?”
Source: Scapegoat: The Jews, Israel, and Women's Liberation (2000), p. 248.
“A revolutionary war against a modern metropolitan state can only be fought in hell.”
"Kant, Capital, and the Prohibition of Incest" (1988–9), in Fanged Noumena, p. 79
Preface to the Third Edition (August 1942)
The Mass Psychology of Fascism (1933)
Context: If, by being revolutionary, one means rational rebellion against intolerable social conditions, if, by being radical, one means "going to the root of things," the rational will to improve them, then fascism is never revolutionary. True, it may have the aspect of revolutionary emotions. But one would not call that physician revolutionary who proceeds against a disease with violent cursing but the other who quietly, courageously and conscientiously studies and fights the causes of the disease. Fascist rebelliousness always occurs where fear of the truth turns a revolutionary emotion into illusions.
Source: The Gate to Women's Country (1988), Chapter 16 (p. 173)
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