"Free Hope" p. 127.
Summer on the Lakes, in 1843 (1844)
Context: Who sees the meaning of the flower uprooted in the ploughed field? The ploughman who does not look beyond its boundaries and does not raise his eyes from the ground? No — but the poet who sees that field in its relations with the universe, and looks oftener to the sky than on the ground. Only the dreamer shall understand realities, though, in truth, his dreaming must not be out of proportion to his waking!
“The dreamer must contaminate the others by his dream, he must make them fall into it”
(399).
Saint Genet, Actor and Martyr (1952)
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Jean Paul Sartre 321
French existentialist philosopher, playwright, novelist, sc… 1905–1980Related quotes
Where Is Your Heart?
Lyrics, Breakaway (2004)
The Artist and His Mirror, W. Baziotes, in Right Angle Vol. III, no. 2, Washington DC, June 1949
1940s
" Chiapas: The Southeast in Two Winds http://struggle.ws/mexico/ezln/marcos_se_2_wind.html" (August 1992)
The Principles of Success in Literature (1865)
Context: A man must be himself convinced if he is to convince others. The prophet must be his own disciple, or he will make none. Enthusiasm is contagious: belief creates belief. There is no influence issuing from unbelief or from languid acquiescence. This is peculiarly noticeable in Art, because Art depends on sympathy for its influence, and unless the artist has felt the emotions he depicts we remain unmoved: in proportion to the depth of his feeling is our sympathetic response; in proportion to the shallowness or falsehood of his presentation is our coldness or indifference.
The energy, as Seth explains it, can be transformed, but not annihilated.
Source: The Seth Material (1970), p. 200-201
Herbert N. Casson cited in: Forbes magazine (1950) The Forbes scrapbook of Thoughts on the business of life. p. 158
1950s and later
The Science of Personal Achievement (Audio - Nightingale-Conant).
Source: The Foundation series (1951–1993), Foundation and Empire (1952), Chapter 4 “The Emperor; in part I, “The General” originally published as “Dead Hand” in Astounding (April 1945)