“I learned from Nol that nowadays you [ Willem Witsen ] are especially engaged upon enlargements [of photos]. I would like to ask you if you perhaps have a piece of moorland (foreground) for me, I would be very grateful to you. Because I am working on a painting with a large foreground. You may have seen it, with that artillery in it. It must be a simple sloping ground. Without much frills of sand - etc. nothing but heather..”

translation from the original Dutch: Fons Heijnsbroek
version in original Dutch (citaat van Breitner's brief, in het Nederlands:) Ik vernam van Nol dat ge u tegenwoordig speciaal bezig houdt met vergrootingen [van foto's]. Ik zou je wel willen vragen als je soms een stuk heidegrond (voorgrond). voor me had, zou ik je zeer dankbaar zijn. Ik ben naml. aan een schilderij bezig met groote voorgrond. je hebt het misschien wel gezien, met die artillerie er op. Het moet een eenvoudig opglooiende grond [zijn]. Zonder veel tierelantijntjes van zand – etc niets anders dan heide..
In a letter of Breitner to Willem Witsen, undated, c. 1893-99; in the collection Royal Dutch Library, the Hague; as cited in master-thesis Van Gogh en Breitner in Den Haag, Helewise Berger, University of Utrecht, The Netherlands, p. 48
The two artists exchanged sometimes photos, using them as elements for their paintings
1890 - 1900

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George Hendrik Breitner 31
Dutch painter and photographer 1857–1923

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