“When we say architecture, we include the social, political and économie context. Architecture of any sort is in fact the inévitable background, support and frame of any work.”

Daniel Buren (1979), cited in: A. A. Bronson, ‎Peggy Gale, ‎Art Metropole (1983). Museums by artists. p. 73
1970s

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Daniel Buren11

sculptor from France 1938

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“Often, the program ends up amazing. You'll say, "This is beautifully architected." Well, where did that architecture come from?
In this case, architecture means the systematic way we deal with diverse requirements. Architecture allows us, when we go to do work we need to do on the program, to find where things go. It is a system that was worked into the program by all the little decisions we made — little decisions that were right, and little decisions that were wrong and corrected. In a sense we get the architecture without really trying. All the decisions in the context of the other decisions simply gel into an architecture.”

Ward Cunningham (1949) American computer programmer who developed the first wiki

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“I am interested in how we interrogate architecture in terms of its social functions and meanings. Architectural historians writing on eighteenth and early nineteenth century Britain have tended to see social history as the answer to this question. But the social history of architecture or the histories of specific social groups which operated in and around the architecture or building(s), or indeed the spaces created by them or for them, provide only a backdrop or loose historical context.”

Dana Arnold (1961) Middlessex uni prof

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“Any work of architecture which does not express serenity is a mistake.”

Luis Barragán (1902–1988) Mexican architect

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“When we talk of architecture, people usually think of something static; this is wrong. What we are thinking of is an architecture similar to the dynamic and musical architecture achieved by the Futurist musician Pratella. Architecture is found in the movement of colours, of smoke from a chimney and in metallic structures, when they are expressed in states of mind which are violent and chaotic.”

Carlo Carrà (1881–1966) Italian painter

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“The purpose here is to demonstrate the diversity of classical formulae which appeared in architectural design, and if we look at classical architecture as a repertoire of forms rather than statements of specific design credos we can challenge teleological constructions of stylistic histories. The method of grouping the architecture from given periods of time under general stylistic labels has, without doubt, been the backbone of the discipline of architectural history. And when used skilfully and carefully it can provide useful punctuation marks in the lengthy and complex narrative that is the subject-matter of the history of western building. Yet it is only one of many tools with which to explore social and cultural contexts.”

Dana Arnold (1961) Middlessex uni prof

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“Architecture differs from a work of art, which can be displayed in different settings and the subject-matter, form and meaning will remain unchanged. The physicality of any built structure can be altered over time as additions and alterations are made. Moreover, a building or work of architecture can change its function as it meets the different demands of its occupants, although its exterior appearance may be unaltered. And its meaning may change depending on the nature of the context. This reveals some of the problems of interpreting historic architecture from a modern-day perspective as the physical changes and different cultural contexts transform the object.”

Dana Arnold (1961) Middlessex uni prof

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“My ambition has always been to reduce a building’s support to a minimum. The more we diminish supporting structures, the more audacious and important the architecture is. That has been my life’s work.”

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“Noting that architecture can no longer keep up with the world: "The areas of consensus shift unbelievably fast; the bubbles of certainty are constantly exploding. Any architectural project we do takes at least four or five years, so increasingly there is a discrepancy between the acceleration of culture and the continuing slowness of architecture.”

Rem Koolhaas (1944) Dutch architect (b.1944)

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“The mother art is architecture. Without an architecture of our own we have no soul of our own civilization.”

Frank Lloyd Wright (1867–1959) American architect (1867-1959)

“Any serious social, political, and economic change must include veganism.”

Gary L. Francione (1954) American legal scholar

“When we say architecture, we include the social, political and économie context. Architecture of any sort is in fact the inévitable background, support and frame of any work.”

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Daniel Buren11

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