“He is terribly rare. He is like Bach, who in his time had a great concentration of ability, essence, knowledge, a spread of music. Astaire has that same concentration of genius; there is so much of the dance in him that it has been distilled.”

— Fred Astaire

George Balanchine in Nabokov, Ivan and Carmichael, Elizabeth. "Balanchine, An Interview". Horizon, January 1961, pp. 44-56. (M).

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Fred Astaire 73

American dancer, singer, actor, choreographer and televisio… 1899–1987

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“At its most basic, Mr. Astaire's technique has three elements - tap, ballet and ballroom dancing. The ballet training, by his account, was brief but came at a crucial, early age. He has sometimes been classed as a tap dancer, but he was never the hoofer he has jokingly called himself. Much of the choreographic outline of his dancing with his ladies—be it Miss Rogers or Miss Hayworth—is ballroom. But of course, no ballroom dancer could dance like this.”

Fred Astaire (1899–1987) American dancer, singer, actor, choreographer and television presenter

Dance critic Anna Kisselgoff, in Shepard, Richard F. "Fred Astaire, The Ultimate Dancer, Dies," The New York Times, 23 June 1987.

“Mr. Llewellyn paused. Mr. Trout had begun to float about the room like something out of Swan Lake, and Mr. Llewellyn disapproved of this. He was apt to be a martinet in his dealings with his legal advisers, demanding that lawyers should behave like lawyers and leave eccentric dancing to the professionals. A man, he held, is either Fred Astaire or he is not Fred Astaire, and if he is not Fred Astaire he should not carry on like him.”

Fred Astaire (1899–1987) American dancer, singer, actor, choreographer and television presenter

From P.G. Wodehouse's Bachelors Anonymous (1973).

“There is no more light in a genius than in any other honest man—but he has a particular kind of lens to concentrate this light into a burning point.”

Ludwig Wittgenstein (1889–1951) Austrian-British philosopher

Source: Culture and Value (1980), p. 41e

“Has he attained the seventh degree of concentration?”

George Bernard Shaw (1856–1950) Irish playwright

Captain Shotover, Act I
1910s, Heartbreak House (1919)
Context: He must be greatly changed. Has he attained the seventh degree of concentration?

“To approach Bach, one has to realize that 100 years after Bach’s death, Bach and his music totally had been forgotten. Even while he was still alive, Bach himself believed in the polyphonic power and the resulting symmetric architectures of well-proportioned music. But this had been an artificial truth - even for him. Other composers, including his sons, already composed in another style, where they found other ideals and brought them to new solutions. The spirit of the time already had changed while Bach was still alive. A hundred years later, it was Mendelssohn who about 1850 discovered Bach anew with the performance of the St. Matthew Passion. Now a new renaissance began, and the world learned to know the greatness of Bach. To become acquainted with Bach, many transcriptions were done. But the endeavors in rediscovering Bach had been - stylistically - in a wrong direction. Among these were the orchestral transcriptions of Leopold Stokowski, and the organ interpretations of the multitalented Albert Schweitzer, who, one has to confess, had a decisive effect on the rediscovery of Bach. All performances had gone in the wrong direction: much too romantic, with a false knowledge of historic style, the wrong sound, the wrong rubato, and so on. The necessity of artists like Rosalyn Tureck and Glenn Gould - again 100 years later - has been understandable: The radicalism of Glenn Gould pointed out the real clarity and the internal explosions of the power-filled polyphony in the best way. This extreme style, called by many of his critics refrigerator interpretations, however really had been necessary to demonstrate the right strength to bring out the architecture in the right manner, which had been lost so much before. I’m convinced that the style Glenn Gould played has been the right answer. But there has been another giant: it was no less than Helmut Walcha who, also beginning in the 1950, started his legendary interpretations for the DG-Archive productions of the complete organ-work cycle on historic organs (Silbermann, Arp Schnitger). Also very classical in strength of speed and architectural proportions, he pointed out the polyphonic structures in an enlightened but moreover especially humanistic way, in a much more smooth and elegant way than Glenn Gould on the piano. Some years later it was Virgil Fox who acquainted the U. S. with tours of the complete Bach cycle, which certainly was effective in its own way, but much more modern than Walcha. The ranges of Bach interpretations had become wide, and there were the defenders of the historical style and those of the much more modern romantic style. Also the performances of the orchestral and cantata Bach had become extreme: on one side, for example, Karl Richter, who used a big and rich-toned orchestra; on the other side Helmut Rilling, whose Bach was much more historically oriented.”

Burkard Schliessmann classical pianist

Talkings on Bach

“What is so remarkable about Crowley the 'magician' is that he remains Crowley the scientist, and always applies the same probing intellectual curiosity to every field he surveys. This is ultimately the most impressive quality about his mind, and the one that might -- if he had concentrated on developing it to the full -- have brought him the fame that he craved. Crowley's tragedy was that he never concentrated long enough to develop anything to the full.”

Colin Wilson (1931–2013) author

Source: Aleister Crowley: The Nature of the Beast (1987), p. 150

“He has a lot of ability. The team depends on him. He is a star. He is going to emerge as an all-time great in the future. I see that much potential in him. It is very difficult to spot his weakness. He plays on both sides of the wicket. He plays both on the front and the back foot. He has a good temperament, technique.”

Virat Kohli (1988) Indian cricket player

Showering praise on India's star batsman Virat Kohli, legendary cricketer Imran Khan said he had the potential to emerge as an all-time great, quoted on ibnlive, "Virat Kohli has the potential to emerge as all-time great: Imran Khan" http://www.ibnlive.com/cricketnext/news/virat-kohli-has-the-potential-to-emerge-as-all-time-great-imran-khan-1218529.html, March 19, 2016.
About him

“Great abilities are rare, and they are often accompanied by qualities which make the abilities useless to him who has them, and even injurious to society.”

George Long (1800–1879) English classical scholar

An Old Man's Thoughts on Many Things, Of Education I

“Volumes might be written upon the follies and imbecilities of great men. A full rounded man — a man of sterling sense and natural logic — is just as rare as a great painter, poet, or sculptor. If you tell your friend that he is not a painter, that he has no genius for poetry, he will probably admit the truth of what you say, without feeling that he has been insulted in the least. But if you tell him that he is not a logician, that he has but little idea of the value of a fact, that he has no real conception of what evidence is, and that he never had an original thought in his life, he will cut your acquaintance.”

Robert G. Ingersoll (1833–1899) Union United States Army officer

The Great Infidels (1881)

“Concentrated power has always been the enemy of liberty.”

Ronald Reagan (1911–2004) American politician, 40th president of the United States (in office from 1981 to 1989)

The New Republic (16 December 1981) ; as cited in War and Conflict Quotations https://en.wikiquote.org/wiki/Special:BookSources/1476611483, eds. Michael & Jean Thomsett, McFarland (1997), p. 105
1980s, First term of office (1981–1985)

“He is terribly rare. He is like Bach, who in his time had a great concentration of ability, essence, knowledge, a spread of music. Astaire has that same concentration of genius; there is so much of the dance in him that it has been distilled.”

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Fred Astaire 73

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