
On Poesy or Art (1818)
Boisgeloup, winter 1934
Richard Friedenthal, (1963, pp. 257-258).
Quotes, 1930's, "Conversations avec Picasso," 1934–35
On Poesy or Art (1818)
Quote in: 'Plastic Art and Pure Plastic Art', Piet Mondrian (1937); in 'Documents of modern Art' ed. Robert Motherwell for Wittenborn, Schulz, New York 1945
1930's
Quote of El Greco, 1582-84; as cited by Marina Lambraki-Plaka, in El Greco, p. 57-59; as quoted in Wikipedia/El Greco: 'Technique and Style'
on making his painting 'The Virgin of the Immaculate Conception' https://upload.wikimedia.org/wikipedia/commons/4/49/El_Greco_-_The_Virgin_of_the_Immaculate_Conception_-_WGA10585.jpg El Greco asked permission to lengthen the altarpiece itself by another 1.5 feet (0.46 m) - the human body became even more otherworldly in his later works
1912, Boccioni's 'Sculptural Manifesto', 1912,
Part One: 1. Stultifera Navis
History of Madness (1961)
Context: Meaning created links so numerous, so rich and involved that only esoteric knowledge could possibly have the necessary key. Objects became so weighed down with attributes, connections and associations that they lost their own original face. Meaning was no longer read in an immediate perception, and accordingly objects ceased to speak directly: between the knowledge that animated the figures of objects and the forms they were transformed into, a divide began to appear, opening the way for a symbolism more often associated with the world of dreams.
Boisgeloup, winter 1934
Richard Friedenthal, (1963, p. 258)
Quotes, 1930's, "Conversations avec Picasso," 1934–35
Donald Judd (1967), quoted in: Alexander Alberro, Blake Stimson (1999) Conceptual Art: A Critical Anthology. p. 204
1960s
Tridentine Mass draws international pilgrims to Rome https://www.catholicnewsagency.com/news/28324/tridentine-mass-draws-international-pilgrims-to-rome (27 October 2013)