“Mythology, science, space exploration, these are subjects that have fascinated me since my early childhood. And they were always connected somehow with the music I write.”

— Vangelis

2001

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Vangelis 37

Greek composer of electronic, progressive, ambient, jazz, p… 1943

Roger Zelazny (1937–1995) American speculative fiction writer

"A Conversation With Roger Zelazny" (8 April 1978), talking with Terry Dowling and Keith Curtis in Science Fiction Vol. 1, #2 (June 1978) http://web.archive.org/web/20070701010155/zelazny.corrupt.net/19780408int.html#2
Context: Yeah, the mythology is kind of a pattern. I'm very taken by mythology. I read it at a very early age and kept on reading it. Before I discovered science fiction I was reading mythology. And from that I got interested in comparative religion and folklore and related subjects. And when I began writing, it was just a fertile area I could use in my stories.
I was saying at the convention in Melbourne that after a time I got typed as a writer of mythological science fiction, and at a convention I'd go to I'd invariably wind up on a panel with the title "Mythology and Science Fiction". I felt a little badly about this, I was getting considered as exclusively that sort of writer. So I intentionally tried to break away from it with things like Doorways in the Sand and those detective stories which came out in the book My Name Is Legion, and other things where I tried to keep the science more central.
But I do find the mythological things are creeping in. I worked out a book which I thought was just straight science fiction -- with everything pretty much explained, and suddenly I got an idea which I thought was kind of neat for working in a mythological angle. I'm really struggling with myself. It would probably be a better book if I include it, but on the other hand I don't always like to keep reverting to it. I think what I'm going to do is vary my output, do some straight science fiction and some straight fantasy that doesn't involve mythology, and composites.

“Criticism does not disturb me, for I am my own severest critic. Always in my playing I strive to surpass myself, and it is this constant struggle that makes music fascinating to me.”

Jascha Heifetz (1901–1987) Lithuanian violinist

Heifetz official web site http://www.jaschaheifetz.com/about/quotes.html

“The plan is to always have a plug into my past, where I am from. And how deep that is and having that gave me confidence to be able to expand. I am confident that I have something (music) that is backing me and that is always there for me… so that I can explore more, learn and grow more as an artiste and as a musician.”

Zakir Hussain (musician) (1951) Indian tabla player, musical producer, film actor and composer

Quote, I am not torchbearer of Indian classical music: Zakir Hussain

“I somehow always have this idea that as soon as I can get through this work that’s piled up ahead of me, I’ll really write a beautiful thing. But I never do. I always have the idea that someday, somehow, I’ll be living a beautiful life.”

Rose Wilder Lane (1886–1968) American journalist

Written in the 1920s, as quoted in The Ghost in the Little House, ch. 8, by William V. Holtz (1993).

“Since there is no such thing as complete knowledge of a subject, one is always working to improve one's reading, writing, etc., of a subject.”

Neil Postman (1931–2003) American writer and academic

Language Education in a Knowledge Context (1980)
Context: Since there is no such thing as complete knowledge of a subject, one is always working to improve one's reading, writing, etc., of a subject. As Thomas Henry Huxley said, "If a little knowledge is a dangerous thing, is there anyone who knows so much as to be out of danger?" …. The problems of learning to read or write are inexhaustible.

“Perhaps you and I were born too late to explore the world and too early in history to explore the stars, but we were born at just the right time, which is pretty much all times ever, to explore language. to explore what can be said. What should be said. What should we send out to space. what that can be said will you be the first to say?”

Michael Stevens (educator) (1986) Internet personality

"Messages for the Future", Vsauce (23 September, 2015)

“Mythological subjects always new. Modern subjects difficult because of the absence of the nude and the wretchedness of modern costume.”

Eugène Delacroix (1798–1863) French painter

13 January 1857 (p. 338)
1831 - 1863, Delacroix' 'Journal' (1847 – 1863)

“Since my childhood I have enjoyed reading Martial Arts fiction. I write it myself first and foremost for my own pleasure, and then for the pleasure of my readers (there is also, of course, the financial reward…). I am just a storyteller, like the professional storytellers of the Song dynasty. I believe Martial Arts fiction is like Peking Opera, or ballad-singing, or dancing, or music—its main function is to give pleasure.”

Jin Yong

As quoted in the "Translator's Introduction" to The Deer and the Cauldron: A Martial Arts Novel, Book 1, trans. John Minford (Hong Kong: Oxford University Press, 1997), p. xi

“I can see it must seem strange, but to me it was normality. Really, my memory of my childhood is that the sun always shone and I spent all my time playing in the park. Since then I've discovered that some of the great musicians I admire - Charles Ives, John Cage, even Bob Dylan - had quite unconventional childhoods.”

Joanna MacGregor (1959) British musician

Evening Standard - 04/07/2002
Childhood

“I write to thee on this subject, [friend], because I am angry at a book which I have just left, which is so large, that it seems to contain universal science, but it hath almost split my head, without teaching me anything.”

Montesquieu (1689–1755) French social commentator and political thinker

No. 66.
Lettres Persanes (Persian Letters, 1721)

“Mythology, science, space exploration, these are subjects that have fascinated me since my early childhood. And they were always connected somehow with the music I write.”

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