“I well recall my emotions when I came upon the grave of Beethoven in the Central Friedhof, with its incomparable guard of honor — Mozart, Schubert, Gluck, Brahms, Hugo Wolf and Johann Strauss!”

— H.L. Mencken

H.L. Mencken : Thirty-five Years of Newspaper Work (1994) , p. 190; this work was written in 1941-1942 but sealed until 1991.
1940s–present

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H.L. Mencken 281

American journalist and writer 1880–1956

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“I take him [Beethoven] twice a week, Haydn four times, and Mozart every day. You will tell me that Beethoven is a Colossus who often gives you a dig in the ribs, whilst Mozart is always adorable; it is that the latter had the chance of going very young to Italy, at a time when they still sang well.”

Gioachino Rossini (1792–1868) Italian composer

Je le prends deux fois par semaine, Haydn quatre fois et Mozart tous les jours. Vous me direz, Beethoven est un colosse, qui vous donne souvent des coups de poing dans les côtes, tandisque Mozart est toujours adorable. C'est que lui a eu la chance d'aller très jeune en Italie à un époque, où l'on chantait encore bien.
Alfred Christlieb Kalischer Beethoven und seine Zeitgenossen (1908) p. 83. Translation from Charlotte Moscheles (trans. A. D. Coleridge) Life of Moscheles (1873) vol. 2, p. 275.

“Literature was not born the day when a boy crying "wolf, wolf" came running out of the Neanderthal valley with a big gray wolf at his heels; literature was born on the day when a boy came crying "wolf, wolf" and there was no wolf behind him.”

Vladimir Nabokov book Lectures on Literature

Source: Lectures on Literature

“When I was inspecting the guard of honor and as I walked past one person, I saw through the corner of my eye some movement. Then I saw a man reverse his rifle at me. I ducked down a little bit in a reflex action. By my ducking, he missed my head and the brunt of the blow came on my shoulder below the left ear.”

Rajiv Gandhi (1944–1991) sixth Prime Minister of India

In Sri Lankan in Honor Guard Attacks Gandhi (30 July 1987) http://articles.latimes.com/1987-07-30/news/mn-453_1_sri-lankan
Quote

“"I do not literally paint that table, but the emotion it produces upon me."
After a pause full of intense thought on my part, I asked: "But if one hasn't always emotion. What then?"
"Do not paint," he quickly answered. "When I came in here to work this morning I had no emotion, so I took a horseback ride. When I returned I felt like painting, and had all the emotion I wanted.”

Henri Matisse (1869–1954) French artist

Interview with Clara T. MacChesney (1912), in Matisse on Art (1995) edited by Jack D. Flam, p. 66
1910s

“He [Gilels] played in an easy, natural manner, with strong but unassuming musicianship. His technique was brilliant; years later Neuhaus, still astonished, was to recall Gilels's incredible octaves in Liszt's Spanish Rhapsody. Yet Gilels was never looked upon as a mere virtuoso. As a matter of fact, his programs did not often include music pour epater le bourgeois. He played a stedy diet of Beethoven (the Hammerklavier was a work that strongly engaged his last years), Schubert, Schumann, Chopin and Brahms. In many respects, the great virtuoso who put his authoritative stamp on whatever he played was, at the same time, a thinking man's pianist.”

Emil Gilels (1916–1985) Soviet pianist

Harold C. Schonberg, The Great Pianists

“When I was 4 years old … I dreamt that I'd been eaten by a wolf, and to my great surprise I was in the wolf's stomach and not in heaven.”

Bertrand Russell (1872–1970) logician, one of the first analytic philosophers and political activist

BBC interview on "Face to Face" (1959); The Listener, Vol. 61 (1959), p. 503
1950s

“It is a special kind of secret how these Asiatic elements [of American Indians] came over the Bering Strait long ago. It's the same with the coyote. When I worked with the coyote [this quote refers to the performance by Beuys when he was locked up together with a coyote in a cage for a few days in René Block Gallery, New York City in 1974], I had the idea that it was not an indigenous animal. It came as a wolf with the Indians over the Bering Strait. And this Asiatic wolf, or step wolf, changed his whole biological configuration and behavior. Then it was my idea to import the coyote once more back to Europe, and you could see it [the coyote] change back to the European wolf or Siberian wolf. It is a transformed European wolf, the coyote, how it came to the character of a brush wolf.”

Joseph Beuys (1921–1986) German visual artist

Quote of Beuys in an interview with Alan Moore and Edit deAk, 1974; as cited in: Joseph Beuys in America: Energy Plan for the Western Man., Carin Kuoni; New York, 1993, p. 213
1970's

“I had always aimed to bridge the gap between humans and wolves but being able to speak for the wolf is pointless unless you can communicate with the people who need to hear you. What Helen couldn't cope with was my inability to give myself completely. Of the two worlds I lived in, one was devoid of emotion, the other was full of it. I knew I turned my emotions off when I was in the wolf world but I had always thought I turned them back on when I walked up the track to the caravan. I never did; I never truly left the forest.”

Shaun Ellis (1977) American football player, defensive end

I howled for the woman I loved... and she howled back - British wolfman tells how his obsession drove away the love of his life http://www.dailymail.co.uk/sciencetech/article-1245507/I-howled-woman-I-loved--howled--British-wolfman-tells-obsession-drove-away-love-life.html, Daily Mail, (23 January, 2010)

“It was a long season of mourning and there were times when I wondered if I should mourn all my life and never again be free of it; but at last I could remember without weeping, and recall the days of love without unending sorrow welling up like tears from the very depths of my being. There is no sorrow like the memory of love and the knowledge that it is gone forever; even in dreams, I never saw again his face, and though I longed for it, I came at last to see that it was just as well, lest I live all the rest of my life in dreams…but at last there came a day when I could look back and know that the time for mourning was ended.”

Marion Zimmer Bradley book The Mists of Avalon

Morgaine
The Mists of Avalon (1983)

“One recalls how much the creative impulse of the best-sellers depends upon self-pity. It is an emotion of great dramatic potential.”

V.S. Pritchett (1900–1997) British writer and critic

"Rider Haggard: Still Riding", p. 28
The Tale Bearers: English and American Writers (1980)

“I well recall my emotions when I came upon the grave of Beethoven in the Central Friedhof, with its incomparable guard of honor — Mozart, Schubert, Gluck, Brahms, Hugo Wolf and Johann Strauss!”

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H.L. Mencken 281

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