“Closer to showtime, the jovial crowd now arrives in droves. Laughing. Smiling. Until they hear the melodic sounds of “This Land Is Fagland,” being sung by small children. With the most vigor, even the tiniest join in, big smiles, swaying their heads like it were the Barney the Dinosaur song. The chubby, red-haired girl actually jumps while singing—she's that happy.”
From the Bible-thumping chapter, p. 158.
The American Dream (2008)
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Source: 1840s, Narrative of the Life of Frederick Douglass, An American Slave (1845), Ch. 2
Context: I have often been utterly astonished, since I came to the north, to find persons who could speak of the singing, among slaves, as evidence of their contentment and happiness. It is impossible to conceive of a greater mistake. Slaves sing most when they are most unhappy. The songs of the slave represent the sorrows of his heart; and he is relieved by them, only as an aching heart is relieved by its tears. At least, such is my experience. I have often sung to drown my sorrow, but seldom to express my happiness. Crying for joy, and singing for joy, were alike uncommon to me while in the jaws of slavery. The singing of a man cast away upon a desolate island might be as appropriately considered as evidence of contentment and happiness, as the singing of a slave; the songs of the one and of the other are prompted by the same emotion.
Source: Divine Secrets of the Ya-Ya Sisterhood