“So the story of the baby-sitting co-op is not a mere amusement. If people would only take it seriously—if they could only understand that when great economic issues are at stake, whimsical parables are not a waste of time but the key to enlightenment—it is a story that could save the world.”

— Paul Krugman

"Baby-Sitting the Economy", Slate (Aug. 13, 1998)

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Paul Krugman 106

American economist 1953

Peter Carey Oscar and Lucinda

Source: Oscar and Lucinda

“At that time the church had great power; it could retaliate; it could destroy. The church abandoned the stake only when too many men objected to being burned.”

Robert G. Ingersoll (1833–1899) Union United States Army officer

"The Brooklyn Divines." Brooklyn Union (Brooklyn, NY), 1883.
Context: There was a time when an unbeliever, open and pronounced, was a wonder. At that time the church had great power; it could retaliate; it could destroy. The church abandoned the stake only when too many men objected to being burned.

“If only these walls could talk…the world would know just how hard it is to tell the truth in a story in which everyone’s a liar.”

Gregg Olsen (1959) American writer

Source: Envy

“Stories are the only enchantment possible, for when we begin to see our suffering as a story, we are saved.”

Anaïs Nin (1903–1977) writer of novels, short stories, and erotica

“If art were to redeem man, it could do so only by saving him from the seriousness of life and restoring him to an unexpected boyishness.”

John Lennon (1940–1980) English singer and songwriter

Quoted as a 1968 statement of Lennon's in Sunday Tasmanian (29 September 1996), and in The Rough Guide to the Beatles (2003) by Chris Ingham, p. 271, this actually derives from a statement which Lennon perhaps had been quoting:
Were art to redeem man, it could do so only by saving him from the seriousness of life and restoring him to an unexpected boyishness.
José Ortega y Gasset, in "Art a Thing of No Consequence" in The Dehumanization of Art (1925)
Misattributed

“Were art to redeem man, it could do so only by saving him from the seriousness of life and restoring him to an unexpected boyishness.”

José Ortega Y Gasset (1883–1955) Spanish liberal philosopher and essayist

"Art a Thing of No Consequence"
The Dehumanization of Art and Ideas about the Novel (1925)
Context: Were art to redeem man, it could do so only by saving him from the seriousness of life and restoring him to an unexpected boyishness. The symbol of art is seen again in the magic flute of the Great God Pan which makes the young goats frisk at the edge of the grove.
All modern art begins to appear comprehensible and in a way great when it is interpreted as an attempt to instill youthfulness into an ancient world.

“A story once went the rounds of Israel to the effect that Ben-Gurion described me as 'the only man' in his cabinet. What amused me about is that he (or whoever invented the story) thought that this was the greatest compliment that could be paid to a woman. I very much doubt that any man would have been flattered if I had said about him that he was the only woman in the government!”

Golda Meir (1898–1978) former prime minister of Israel

Israel’s Iron Lady unfiltered: 17 Golda Meir quotes on her 117th birthday, Yadid, Judd, 2015-05-03, English, Haaretz http://www.haaretz.com/news/features/.premium-1.654218,

“My schoolmates could not understand why anyone would want to write a story; and, above all, they could not understand why I had called it The Voodoo of Hell’s Half-Acre. The mood out of which a story was written was the most alien thing conceivable to them.”

Richard Wright book Black Boy

Black Boy (1945)

“Addicts, to this day, claim that they are they are the only people qualified to speak of the seriousness of withdrawal effects; as if only people with cerebral malaria or bowel cancer could speak of their seriousness.”

Theodore Dalrymple (1949) English doctor and writer

C-SPAN: Romancing Opiates https://www.c-span.org/video/?191384-1/romancing-opiates (May 30, 2006)

“All the best stories in the world are but one story in reality — the story of an escape. It is the only thing which interests us all and at all times — how to escape.”

A. C. Benson (1862–1925) English essayist, poet, author and Master of Magdalene College, Cambridge

Escape, and Other Essays (1915)

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Paul Krugman 106

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