“In 1968 Ian Wilson made his final sculpture. Since then, he has explored the idea of oral communication as an art form… Wilson’s work is very hard to track down, even in terms of documentation. He has been compared to the Socratic philosophers but if there is a similarity between his practice and theirs, it probably lies mainly in the fact that everything we have from that period of philosophy takes the form of secondary fragments embedded in other texts. Wilson’s work functions almost like archaeological or geological evidence: it consists of objects that we examine in order to deduce, from scanty clues, what must have happened.”

Edward Allington. " About Time http://www.frieze.com/issue/article/about_time/," in Frieze, Issue 92 June-August 2005

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Edward Allington1

sculptor 1951–2017

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“Wilson was a visionary who liked to identify himself with "forward-looking man"; Harding … was as old-fashioned as those wooden Indians which used to stand in front of cigar stores…. Wilson thought in terms of the whole world; Harding was for America first. And, finally, whereas Wilson wanted America to exert itself nobly, Harding wanted to give it a rest.”

Frederick Lewis Allen (1890–1954) American historian and editor of Harper's Magazine

Only Yesterday, ch. 2, Harper (1931)

“Bob Wilson admitted to himself that a Ph. D. and an appointment as an instructor was not his idea of existence. Still, it beat working for a living.”

Robert A. Heinlein book By His Bootstraps

By His Bootstraps (p. 234)
Short fiction, Off the Main Sequence (2005)

“Tony Cairo [English abstract sculptor] and I tried to collaborate at several points and it hasn't been successful. As a matter of fact, recently Tony has made sculpture that I have painted. He has to make the sculpture before I can paint it. That means that the form is taking precedence – that the material takes precedence as a form, rather than color establishing the form. It's not going to well but I'm working on it. There's something about color that is so abstract that it is difficult for it to function in conjunction with solid form... Color has properties of weight, density, transparency, and so forth. And when it also has to be compatible with things that have an actual density, a given form, it's very difficult.”

Kenneth Noland (1924–2010) American artist

Source: Color, Format and Abstract Art' (1977), pp. 99 – 105

“Wilson is adopting a dangerous line. He wants to pose as the great arbiter of the war. His Fourteen Points are very dangerous. He speaks of the freedom of the seas. That would involve the abolition of the right of search and seizure, and the blockade. We shall not agree to that. Such a change would not suit this country. Wilson does not see that by laying down terms without consulting the Allies, he is making their position very difficult. He had no right to reply to the German Note without consultation, and I insisted upon a cablegram being sent to him. The position is very disturbing.”

David Lloyd George (1863–1945) Former Prime Minister of the United Kingdom

Quoted in Lord Riddell's diary entry (10 October 1918), J. M. McEwen (ed.), The Riddell Diaries 1908-1923 (London: The Athlone Press, 1986), p. 240
Prime Minister

“Mr. Wilson does not write as one who believes in a particular religion but rather as an intellectual who is being forced more and more into accepting religion as the only solution to the problem of the Outsider. In other words, the anxiety and uneasiness, the sheer horror of being oneself in the modern world is not to be cured by reason or even of study of philosophies which set out to explain them, like Existentialism; the unpleasant symptoms have to be lived through, leading to the worst, in order that the final, mystical experience may be attained. The Outsider has it within him to become a saint. Yet, though Mr. Wilson is drawn to religion, and all his arrows point that way, he never departs from his standards of intellectual analysis.”

Cyril Connolly (1903–1974) British author

'Loser Take All', Sunday Times, p. 5 (27 May 1956)

“Too often in the past, we have thought of the artist as an idler and dilettante and of the lover of arts as somehow sissy and effete. We have done both an injustice. The life of the artist is, in relation to his work, stern and lonely. He has labored hard, often amid deprivation, to perfect his skill. He has turned aside from quick success in order to strip his vision of everything secondary or cheapening. His working life is marked by intense application and intense discipline.”

John F. Kennedy (1917–1963) 35th president of the United States of America

"LOOK Magazine Article 'The Arts in America' (552)" (18 December 1962) http://www.jfklibrary.org/Research/Research-Aids/Ready-Reference/JFK-Quotations.aspx <br class="br">1962

“You have to practice quite hard, like you do with any art form. Religion is hard work.”

Karen Armstrong (1944) author and comparative religion scholar from Great Britain

Ode interview (2009)
Context: It's not easy to talk about transcendence, just as it's not easy to play or listen to a late Beethoven quartet … You have to practice quite hard, like you do with any art form. Religion is hard work.

“What Joe Wilson did is like a belch.”

Alan Grayson (1958) American politician

"Alan Grayson: I'm no Joe Wilson" by Andy Barr, Politico.com http://www.politico.com/news/stories/1009/28200.html, October 12, 2009. <br class="br">2009, Regarding others

“This morning, the Justice Department announced the conclusion of our investigation and released a comprehensive, 87-page report documenting our findings and conclusions that the facts do not support the filing of criminal charges against Officer Darren Wilson in this case. Michael Brown’s death, though a tragedy, did not involve prosecutable conduct on the part of Officer Wilson.”

Eric Holder (1951) 82nd Attorney General of the United States

2010s, Update on Investigations in Ferguson (2015)

“The scientist addresses an infinitesimal audience of fellow composers. His message is not devoid of universality but it's universality is disembodied and anonymous. While the artist's communication is linked forever with it's original form, that of the scientist is modified, amplified, fused with the ideas and results of others, and melts into the stream of knowledge and ideas which forms our culture. The scientist has in common with the artist only this: that he can find no better retreat from the world than his work and also no stronger link with his world than his work.”

Max Delbrück (1906–1981) biophysicist

Nobel Prize acceptance speech (1969) http://www.nobelprize.org/nobel_prizes/medicine/laureates/1969/delbruck-lecture.html

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Edward Allington1

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