“My father was a wrestler and though everyone liked music in the family, it was a taboo to even think of a musical career. I used to wrestle to keep him happy. When I was about nine years old, I started learning vocal music from Pandit Rajaram, secretly! At the age of fifteen, I heard the flute for the first time on Allahabad radio. It was as if I was being transported to heaven. The flautist was Pt. Bholanath and that was the major turning point in my life. Soon after, while I was still in my teens I got an offer to work as a staff artist on Cuttack radio in Odisha/ and I accepted. It was then that my father found out that I was a musician. It was a major shock for him.”

On whether Escovedo knew he had staying power as a musician in “Pete Escovedo: Rhythms of Life” https://jazztimes.com/features/interviews/pete-escovedo-rhythms/ in Jazz Times (2017 Nov 23)

The Solitary Reaper, st. 4.
Memorials of a Tour in Scotland (1803)

Gameplay magazine

Source: Great Narrative Poems Of The Romantic Age

Letter to Paul Dukas (1901)
Context: I confess that I am no longer thinking in musical terms, or at least not much, even though I believe with all my heart that Music remains for all time the finest means of expression we have. It’s just that I find the actual pieces — whether they’re old or modern, which is in any case merely a matter of dates — so totally poverty-stricken, manifesting an inability to see beyond the work-table. They smell of the lamp, not of the sun. And then, overshadowing everything, there’s the desire to amaze one’s colleagues with arresting harmonies, quite unnecessary for the most part. In short, these days especially, music is devoid of emotional impact. I feel that, without descending to the level of the gossip column or the novel, it should be possible to solve the problem somehow. There’s no need either for music to make people think! … It would be enough if music could make people listen, despite themselves and despite their petty mundane troubles, and never mind if they’re incapable of expressing anything resembling an opinion. It would be enough if they could no longer recognize their own grey, dull faces, if they felt that for a moment they had been dreaming of an imaginary country, that’s to say, one that can’t be found on the map.

Andrew Sega Shrine interview, 2011

This quote was actually crafted by University College Dublin student Shane Fitzgerald. Shortly after Jarre's death, Fitzgerald uploaded https://en.wikipedia.org/w/index.php?title=Maurice_Jarre&type=revision&diff=280558491&oldid=280527998 the false quote to Wikipedia to test "how our globalised, increasingly internet-dependent media was upholding accuracy and accountability in an age of instant news," according to the Associated Press. "The sociology major's made-up quote…flew straight on to dozens of US blogs and newspaper websites in Britain, Australia and India. They used the fabricated material, Fitzgerald said, even though administrators at the free online encyclopedia quickly caught the quote's lack of attribution and removed it, but not quickly enough to keep some journalists from cutting and pasting it first. A full month went by and nobody noticed the editorial fraud. So Fitzgerald told several media outlets in an email and the corrections began." The Guardian and The Herald "are among the only publications to make a public mea culpa," the Associated Press continues. See " Student hoaxes world's media with fake Wiki quote http://www.smh.com.au/news/technology/web/student-hoaxes-worlds-media-with-fake-wiki-quote/2009/05/12/1241893953955.html," The Sydney Morning Herald (12 May 2009).
Misattributed

Source: Quotes dated, Dangerous Corner', 1929, p. 27