“Luther's merit in literary history is of the greatest: his dialect became the language of all writing. They are not well written, these Four-and-twenty Quartos of his; written hastily, with quite other than literary objects. But in no Books have I found a more robust, genuine, I will say noble faculty of a man than in these. A rugged honesty, homeliness, simplicity; a rugged sterling sense and strength. He dashes out illumination from him; his smiting idiomatic phrases seem to cleave into the very secret of the matter. Good humor too, nay tender affection, nobleness and depth: this man could have been a Poet too! He had to work an Epic Poem, not write one.”

— Thomas Carlyle

1840s, Heroes and Hero-Worship (1840), The Hero as Priest

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Thomas Carlyle 481

Scottish philosopher, satirical writer, essayist, historian… 1795–1881

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“there is a great free human heart in this man. The common speech of him has a rugged nobleness, idiomatic, expressive, genuine; gleams here and there with beautiful poetic tints.”

Thomas Carlyle (1795–1881) Scottish philosopher, satirical writer, essayist, historian and teacher

1840s, Heroes and Hero-Worship (1840), The Hero as Priest

“A man of genuine literary genius, since he possesses a temperament whose susceptibilities are of wider area than those of any other, is inevitably of all people the one most variously affected by his surroundings. And it is he, in consequence, who of all people most faithfully and compactly exhibits the impress of his times and his times' tendencies, not merely in his writings — where it conceivably might be just predetermined affectation — but in his personality.”

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“For three years I studied very assiduously an Arabic dialect spoken by the Bedouins of the Sahara, and I began by writing this language phonetically in Latin characters; the very strange appearance of the grammatical forms which resulted from it caused me to see that our spoken language is as remote from written language as this Saharan dialect can be from literary Arabic, and that our language written phonetically by a foreigner in the same way as I wrote the spoken language in El Golea, presented grammatical forms as strange (and as fascinating) as my Arabic jargon. It is then that the idea came to me to try to draft a small text written phonetically. I had the feeling that by becoming”

Jean Dubuffet (1901–1985) sculptor from France

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“Maybe he is the Mark Twain of the late twentieth century. Time will sort the bastard out and I leave it to others more qualified than me to assess and appraise his monumental literary legacy.”

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“I have carefully and regularly perused the Holy Scriptures, and am of opinion that the volume contains more sublimity, purer morality, more important history, and finer strains of eloquence, than can be collected from all other books, in whatever language they may have been written.”

William Jones (1746–1794) Anglo-Welsh philologist and scholar of ancient India

Reported in Josiah Hotchkiss Gilbert, Dictionary of Burning Words of Brilliant Writers (1895), p. 31.

“The German Rendering. The German language was divided into as many dialects as tribes and states, and none served as a bond of literary union. Saxons and Bavarians, Hanoverians and Swabians, could scarcely understand each other. Each author wrote in the dialect of his district, Zwingli in his Schwyzerdütsch. "I have so far read no book or letter," says Luther in the preface to his version of the Pentateuch (1523), in which the German language is properly handled. Nobody seems to care sufficiently for it; and every preacher thinks he has a right to change it at pleasure, and to invent new terms." Scholars preferred to write in Latin, and when they attempted to use the mother tongue, as Reuchlin and Melanchthon did occasionally, they fell far below in ease and beauty of expression.
Luther brought harmony out of this confusion, and made the modern High German the common book language. He chose as the basis the Saxon dialect, which was used at the Saxon court and in diplomatic intercourse between the emperor and the estates, but was bureaucratic, stiff, heavy, involved, dragging, and unwieldy. He popularized and adapted it to theology and religion. He enriched it with the vocabulary of the German mystics, chroniclers, and poets. He gave it wings, and made it intelligible to the common people of all parts of Germany.”

Philip Schaff (1819–1893) American Calvinist theologian

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“The Bible is different from all other books; other books are written by man, but the Bible not only contains the sayings and commandments of God, but was also written entirely under divine inspiration. So we might say that it is God's book, which he gave to man to lead him to everlasting life.”

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“I shall christen this style the Mandarin, since it is beloved by literary pundits, by those who would make the written word as unlike as possible to the spoken one. It is the style of all those writers whose tendency is to make their language convey more than they mean or more than they feel, it is the style of most artists and all humbugs.”

Cyril Connolly book Enemies of Promise

Source: Enemies of Promise (1938), Part 1: Predicament, Ch. 2: The Mandarin Dialect (p. 13)

“The surrealist thinks he has outstripped the whole of literary history when he has written (here a word that there is no need to write) where others have written "jasmines, swans and fauns." But what he has really done has been simply to bring to light another form of rhetoric which hitherto lay hidden in the latrines.”

José Ortega Y Gasset book The Revolt of the Masses

Source: The Revolt of the Masses (1929), Chapter XI: The Self-Satisfied Age

“The style in which it was written told me much: I found that a man who cannot phrase his thoughts cleanly on paper probably has no thoughts worth notice.”

Robert Silverberg book A Time of Changes

Source: A Time of Changes (1971), Chapter 27 (p. 89)

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