Herschel Browning Chip (1968, p. 270).
Other translation:
Abstract art is only painting. And what's so dramatic about that? There is no abstract art. One must always begin with something. Afterwards one can remove all semblance of reality.
Richard Friedenthal (1968, p. 256-7).
Longer version:
Abstract art is only painting. And what's so dramatic about that? There is no abstract art. One must always begin with something. Afterwards one can remove all semblance of reality; there is no longer any danger as the idea of the object has left an indelible imprint. It is the object which aroused the artist, stimulated his ideas and set of his emotions. These ideas and emotions will be imprisoned in his work for good.. .Whether he wants it or not, man is the instrument of nature; she imposes on him character and appearance. In my paintings of Dinard, as in my paintings of Purville, I have given expression to more or less the same vision.. .. You cannot go against nature. She is stronger than the strongest of men. We can permit ourselves some liberties, but in details only (Boisgeloup, winter 1934).
As quoted in Futurism, ed. Didier Ottinger; Centre Pompidou / 5 Continents Editions, Milan, 2008, p. 313
Quotes, 1930's, "Conversations avec Picasso," 1934–35
Context: Abstract art is only painting. What about drama?
There is no abstract art. You always start with something. Afterward you can remove all traces of reality.
“Write a paper promising salvation, make it a 'structured' something or a 'virtual' something, or 'abstract', 'distributed' or 'higher-order' or 'applicative' and you can almost be certain of having started a new cult.”
Dijkstra (1979) My hopes of computing science http://www.cs.utexas.edu/users/EWD/transcriptions/EWD07xx/EWD709.html (EWD 709).
1970s
Help us to complete the source, original and additional information
Edsger W. Dijkstra 68
Dutch computer scientist 1930–2002Related quotes
Kenneth Noland, p. 8
Conversation with Karen Wilkin' (1986-1988)
“The man-like Apes… have certain characters of structure and of distribution in common.”
Source: 1860s, Evidence as to Man's Place in Nature (1863), Ch.1, p. 34
"Unix and Beyond: An Interview with Ken Thompson," 1999
Context: In Plan 9 and Inferno, the key ideas are the protocol for communicating between components and the simplification and extension of particular concepts. In Plan 9, the key abstraction is the file system—anything you can read and write and select by names in a hierarchy—and the protocol exports that abstraction to remote channels to enable distribution. Inferno works similarly, but it has a layer of language interaction above it through the Limbo language interface—which is like Java, but cleaner I think.
“If you write something wrong enough, I'll be glad to make up a new witticism just for you.”
[199702221943.LAA20388@wall.org, 1997]
Usenet postings, 1997