“There is a difference in printing greater depth to any portion with the negative and shading down without the negative. In the former case we get a deeper and stronger image, still preserving to a great extent the relative contrasts between the lights and shades in that portion. This is not always what we require. In order to concentrate attention upon that is, to emphasize, some particular spot, it may be desirable to shade down and flatten some portion.”

— Alfred Horsley Hinton

Source: Practical Pictorial Photography, 1898, Printing the picture and controlling its formation, p. 88

Adopted from Wikiquote. Last update June 3, 2021. History

Help us to complete the source, original and additional information

Do you have more details about the quote "There is a difference in printing greater depth to any portion with the negative and shading down without the negative.…" by Alfred Horsley Hinton?

Alfred Horsley Hinton 64

British photographer 1863–1908

Related quotes

“The outlines and form of any part of a body in light and shade are indistinct in the shadows and in the high lights; but in the portions between the light and the shadows they are highly conspicuous.”

Leonardo Da Vinci (1452–1519) Italian Renaissance polymath

The Notebooks of Leonardo da Vinci (1883), III Six books on Light and Shade

“Probably every photographer has at times found it convenient to print one part of a negative more than another or lias covered another portion during printing, thus deliberately making those portions lighter or darker, as the case may be.”

Alfred Horsley Hinton (1863–1908) British photographer

Source: Practical Pictorial Photography, 1898, Printing the picture and controlling its formation, p. 76

“Like pictures, images seem to depict information about interval spatial extents. The scanning experiments support the claim that portions of images depict corresponding portions of the represented objects, and that the spatial relations between portions of the image index the spatial relations between the corresponding portions of the imaged objects.”

Stephen Kosslyn (1948) American psychologist

Source: Image and Mind. 1980, p. 51

“Probably every portrait photographer resorts to some such "dodge" for making a face lighter or other similar purpose, and he finds that the application of water-color paint in ever so thin a wash makes so much difference to the printing density that blue is commonly used as being a quick printing color, the effect of which is therefore not so great; an equally dense layer of blue and of red to any portion of a negative would print very differently, the red shutting off the light action much more powerfully than the blue.”

Alfred Horsley Hinton (1863–1908) British photographer

Source: Part II : Practical Pictorial Photography, Fidelity to nature and justifiable untruth, p. 20

“Words mean more than what is set down on paper. It takes the human voice to infuse them with shades of deeper meaning.”

Maya Angelou book I Know Why the Caged Bird Sings

Variant: It takes the human voice to infuse them with the shades of deeper meaning.
Source: I Know Why the Caged Bird Sings

“since some people had told me that I was ugly, I always preferred shade to the sun, darkness to light”

Charles Bukowski book Ham on Rye

Source: Ham on Rye

“Took a walk and passed your house late last night,
All the shades were pulled and drawn way down tight.
From within, the dim light cast two silhouettes on the shade.”

Frank Slay (1930–2017) American record producer

Song: "Silhouettes"

“What glorious light, wisdom without bound, wrapt in eternal solitary shade.”

Franco Battiato (1945) Italian singer-songwriter, composer, and filmmaker

Source: da I'm that)

“But oh! may Earth her dreadful gulf display,
And gaping snatch me from the golden day;
May I be hurled, by Heaven's almighty fire,
Transfixed with thunder, and involved in fire,
Down to the shades of Hell, from realms of light,
The deep, deep shades of everlasting night.”

Christopher Pitt (1699–1748) English poet

Book III, line 35
The Æneid of Virgil (1740)

“For avoiding nonsense in general, we might accumulate millions of censors. For all we know, this "negative meta-knowledge" — about patterns of thought and inference that have been found defective or harmful — may be a large portion of all we know.”

Marvin Minsky (1927–2016) American cognitive scientist

Jokes and their Relation to the Cognitive Unconscious (1980)

Help us to complete the source, original and additional information

Alfred Horsley Hinton 64

Related quotes

Related topics