“Writing a novel is actually searching for victims. As I write I keep looking for casualties. The stories uncover the casualties.”

in an interview with the Wall Street Journal, December 31, 2008 http://www.time.com/time/quotes/0,26174,1869189,00.html.

1970s
Context: Ever since the secret trip to China, my own relationship with Nixon had grown complicated. Until then I had been an essentially anonymous White House assistant. But now his associates were unhappy, and not without reason, that some journalists were giving me perhaps excessive credit for the more appealing aspects of our foreign policy while blaming Nixon for the unpopular moves.
These tendencies were given impetus by an interview I granted to the Italian journalist Oriana Fallaci, without doubt the single most disastrous conversation I ever had with any member of the press. I saw her briefly on Nov. 2 and 4, 1972, in my office. I did so largely out of vanity. She had interviewed leading personalities all over the world. Fame was sufficiently novel for me to be flattered by the company I would be keeping. I had not bothered to read her writings; her evisceration of other victims was thus unknown to me.

As quoted in "Special Section: Chagrined Cowboy" in TIME magazine (8 October 1979) http://www.time.com/time/magazine/article/0,9171,916877,00.html

As quoted by Forrest C. Pogue, in "George C. Marshall: Global Commander" (1968)

On choosing a story writing method in “7 QUESTIONS WITH JON PINEDA” https://hyphenmagazine.com/blog/2018/06/7-questions-jon-pineda in Hyphen Magazine (2018 Jun 7)

It is the inescapable duty of every decent citizen to express no interest in or enthusiasm for football and the World Cup http://www.socialaffairsunit.org.uk/blog/archives/000966.php (June 7, 2006).
The Social Affairs Unit (2006 - 2008)

In Pursuit of Valis: Selections from the Exegesis (1991)
Context: I am a fictionalizing philosopher, not a novelist; my novel and story-writing ability is employed as a means to formulate my perception. The core of my writing is not art but truth. Thus what I tell is the truth, yet I can do nothing to alleviate it, either by deed or explanation. Yet this seems somehow to help a certain kind of sensitive troubled person, for whom I speak. I think I understand the common ingredient in those whom my writing helps: they cannot or will not blunt their own intimations about the irrational, mysterious nature of reality, and, for them, my corpus of writing is one long ratiocination regarding this inexplicable reality, an investigation and presentation, analysis and response and personal history. My audience will always be limited to those people.

The Paris Review interview (2010)

Interview with Don Swaim (1986)
Context: I write short stories. They may appear big in size, but when you consider it, they're four or five novels in one. … In return for picking up one of my books, I'm trying to give them value for their money. … the goal of writing any book is to create the illusion that what you are reading is reality and you're part of it.