
As quoted in The Times [London] (18 May 1990)
1990s
Source: 1940 - 1950, The Plasmic Image 2. 1943-1945, p. 125
As quoted in The Times [London] (18 May 1990)
1990s
“The only consolation he drew from the present chaos was that his theory managed to explain it.”
Source: V. (1963), Chapter Seven, Part VII
Context: He had decided long ago that no Situation had any objective reality: it only existed in the minds of those who happened to be in on it at any specific moment. Since these several minds tended to form a sum total or complex more mongrel than homogeneous, The Situation must necessarily appear to a single observer much like a diagram in four dimensions to an eye conditioned to seeing the world in only three. Hence the success or failure of any diplomatic issue must vary directly with the degree of rapport achieved by the team confronting it. This had led to the near obsession with teamwork which had inspired his colleagues to dub him Soft-show Sydney, on the assumption that he was at his best working in front of a chorus line.
But it was a neat theory, and he was in love with it. The only consolation he drew from the present chaos was that his theory managed to explain it.
“All artists whether primitive or sophisticated, have been involved in the handling of chaos.”
Source: 1940 - 1950, The Plasmic Image 1. 1943-1945, p. 139
“The creation of a single world comes from a huge number of fragments and chaos.”
Variant: The creation of a single world comes from a huge number of fragments and chaos.
Beckmann's lecture 'Drei Briefe an eine Malerin' ('Three letters to a Woman-painter'), New York and Boston, Spring 1948; as cited in Letters of the great artists – from Blake to Pollock, Richard Friedenthal, Thames and Hudson, London, 1963, p. 214
1940s
Quote in a letter to Sherwood Anderson, October 1923; as quoted in Georgia O'Keeffe: A Life, Roxana Robinson, University Press of New England, 1999
1917 - 1929