“With experience it seems to be possible to control the flow of paint, to a great extent, and I don't use – I don't use the accident – 'cause I deny the accident.... it's quite different from working, say, from a still life where you set up objects and work directly from them. I do have a general notion of what I'm about and what the results will be. I approach painting in the same sense as one approaches drawing, that is, it's direct.”

Source: 1950's, Interview by William Wright, Summer 1950, p. 144

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American artist 1912–1956

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“I am glad I have that artistic life in me... [I'm] a nobody in my field of art... I don't overestimate myself at all, and that's why I can't get that comfort from my work [landscape painting], which the Great [artists] have in their field of art. What else to say! 50 years after my death!! I laughed about it. Do you think they will remember me after only one year? [after her death] Dear heaven! No, that is really my least concern.”

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translation from the original Dutch: Fons Heijnsbroek
version in original Dutch (citaat uit een brief van Marie Bilders-van Bosse, in het Nederlands:) Ik ben blij dat ik dat artistieke leven in mij heb.. ..[ik ben] een prul op mijn gebied.. ..Ik overschat mijzelven niemendal, en daarom kan ik uit mijn werk [landschap-schilderen] niet dien troost putten die de Grooten op een gebied daaruit halen. En verder! 50 jaar na mijn dood!! Ik heb er om gelachen. Denk je dat ze één jaar daarna nog aan mij zullen denken? Lieve hemel! Nee, dat is mijn minste zorg.
Quote from Marie Bilders-van Bosse in her letter from The Hague, 29 March 1896, to her friend Cornelia M. Beaujon-van Foreest; as cited in Marie Bilders-van Bosse 1837-1900 – Een Leven voor Kunst en Vriendschap, Ingelies Vermeulen & Ton Pelkmans; Kontrast ( ISBN 978-90-78215-54-7), 2008, p. 29
Marie wrote her letter shortly after a quarrel with her friend Cornelia

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