
On his leaving the theater world (as quoted in the book Notable Asian Americans http://smithsonianapa.org/wp-content/uploads/sites/8/2009/10/chin-frank.pdf)
On Internatioanlist Theatre
Interview on Helenism .net (September 2011)
On his leaving the theater world (as quoted in the book Notable Asian Americans http://smithsonianapa.org/wp-content/uploads/sites/8/2009/10/chin-frank.pdf)
“I believe in neither a director’s nor a writer’s theatre, but a theatre of intelligent audiences.”
Letter to George Devine (10 March 1964), printed in Kenneth Tynan : A Life by Dominic Shellard<!-- Yale University Press, 2003, --> , p. 292
Context: I believe in neither a director’s nor a writer’s theatre, but a theatre of intelligent audiences. I count myself as a member of an intelligent audience, and I wrote to you as such. That you should disagree with me I can understand, but that you should resent my expressing my opinions is something that frankly amazes me. I thought we had outgrown the idea of theatre as a mystic rite born of secret communion between author, director, actors and an empty auditorium.
On the formation of Internationalist Theatre.
The South African Interview (August 8, 2011)
Source: Alan Ford – Interview http://www.gentlemensgoods.com/2014/10/alan-ford-interview/ (2014)
About being on the other side of the camera, in Davidtennant.com exclusive interview (February 2007)
Rolling Stone Issue No. 213 (May 20, 1976) on Elia Kazan
nine forms
About her acting in Suadamini page=1977
MOTHER MAIDEN MISTRESS
In "There's no slowing down for Vyjayanthimala".