“In selecting our subject…there are two factors which it should be borne in mind are essential, and these are Expression and Composition”

Source: Practical Pictorial Photography, 1898, Methods - The practical application of means to end, p. 16

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Alfred Horsley Hinton64

British photographer 1863–1908

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“If we are to select our subjects or arrange our groups with a pictorial motive we must absolutely and entirely sacrifice every other consideration, and be prepared to cut out of our composition the prettiest and most interesting item, if by so doing composition pure and simple is improved. And if some subject you are attached to will not admit of composition or will not admit of your treating it pictorially, then photograph it if you wish, but never suppose that it will form a picture.”

Alfred Horsley Hinton (1863–1908) British photographer

Source: Practical Pictorial Photography, 1898, Methods - The practical application of means to end, p. 29

“Composition allows the artist the greatest possible freedom, so that his subjectivity can express itself, to a certain degree, for as long as needed.”

Piet Mondrian (1872–1944) Peintre Néerlandais

1910's, Natural Reality and Abstract Reality', 1919

“The scope of a specialised documentary classification is usually designated by its title, the subject field that it professes to classify. It is no easy task to state what is meant by a subject field. In general it can be expressed as Thing-Activity. A definable group of things… is selected, and from the many relations in which they subsist a certain number are selected as relevant.”

Brian Campbell Vickery (1918–2009) British information theorist

Source: Classification and indexing in science (1958), Chapter 1: The need for classification, p. 11.

“Yoga is the settling of the mind into silence. When the mind has settled, we are established in our essential nature, which is unbounded Consciousness. Our essential nature is usually overshadowed by the activity of the mind.”

Patañjali (-200–-150 BC) ancient Indian scholar(s) of grammar and linguistics, of yoga, of medical treatises

Patanjali, in East of existentialism: the Tao of the West http://books.google.co.in/books?id=2WyyAAAAIAAJ, p. 266.

“Approaching it in one way, I see no essential difference between a line one calls 'abstract' and a 'fish'. But rather an essential likeness. This isolated line and the isolated fish alike are living beings with forces peculiar to them, though latent. They are forces of expression for these beings and of expression on human beings, because each has an impressive 'look' which manifests itself by its expression. But the voice of these latent forces is faint and limited. It is the environment of the line and the fish that brings about a miracle: the latent forces awaken, the expression becomes radiant… The environment is the composition. The composition is the organized sum of the interior functions (expressions) of every part of the work.”

Wassily Kandinsky (1866–1944) Russian painter

Quote of Kandinsky, in Paris, March 1935; as cited in Artists on Art – from the 14th – 20th centuries, ed. by Robert Goldwater and Marco Treves; Pantheon Books, 1972, London, p. 451
1930 - 1944

“Classification in documentation is a tool for selection. It is essentially a 'finding system' for subject items… It is an artificial language, designed as a tool to aid in the selection of information from a store in response to search questions. The classification serves to standardise subject description, so that the description of a subject used by indexer and inquirer are more likely to coincide, thus maximising the probability of finding all items relevant to an inquiry.”

Brian Campbell Vickery (1918–2009) British information theorist

Source: Classification and indexing in science (1958), Chapter 1: The need for classification, p. 12-13.

“Composition is a side issue. Its role in my selection of photographs is a negative one at best. By which I mean that the fascination of a photograph is not in its eccentric composition but in what it has to say: its information content. And, on the other hand, composition always also has its own fortuitous rightness.”

Gerhard Richter (1932) German visual artist, born 1932

Notes, 1964; as cited on collected quotes on the website of Gerhard Richter: 'on Techniques' https://www.gerhard-richter.com/en/quotes/techniques-5 <br class="br">1960's