Source: The Band That Played On (Thomas Nelson, 2011), p. 173
Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 36.
Reported in Josiah Hotchkiss Gilbert, Dictionary of Burning Words of Brilliant Writers (1895), p. 171.
Aphorism #367, in Aphorisms and Reflections (1907) http://aleph0.clarku.edu/huxley/Book/Aphor.html edited by Henrietta A. Huxley, his widow
1890s
Part 5: "The World of One Physicist", "But Is It Art?", p. 261
Surely You're Joking, Mr. Feynman! (1985)
Context: I wanted very much to learn to draw, for a reason that I kept to myself: I wanted to convey an emotion I have about the beauty of the world. It's difficult to describe because it's an emotion. It's analogous to the feeling one has in religion that has to do with a god that controls everything in the whole universe: there's a generality aspect that you feel when you think about how things that appear so different and behave so differently are all run "behind the scenes" by the same organization, the same physical laws. It's an appreciation of the mathematical beauty of nature, of how she works inside; a realization that the phenomena we see result from the complexity of the inner workings between atoms; a feeling of how dramatic and wonderful it is. It's a feeling of awe — of scientific awe — which I felt could be communicated through a drawing to someone who had also had this emotion. It could remind him, for a moment, of this feeling about the glories of the universe.
[Swami Tapasyananda, Swami Nikhilananda, Sri Sarada Devi, the Holy Mother; Life and Conversations, 261]
Context: In Hindus, when a person dies he is cremated in fire. Sarada Devi is referring to this as "three pounds of ashes".
“It takes great deal of courage to see the world in all its tainted glory, and still to love it.”
Variant: It takes great courage to see the world in all its tainted glory, and still to love it. And even more courage to see it in the one you love
Source: An Ideal Husband
"Belief and Creativity" Address in Hamburg (11 April 1980); as quoted in Moving Target https://books.google.com.mx/books?id=2SwUAAAAQBAJ&source=gbs_navlinks_s (2013), Faber & Faber
Context: Reason, when it is refined into logic, has something to offer but only in terms of itself and depends for its effect and use on the nature of the premise. That useful argument as to how many angels can stand on the point of a needle would turn into nothing without the concept of angels. I took a further step into my new world. I formulated what I had felt against a mass of reasonable evidence and saw that to explain the near infinite mysteries of life by scholastic Darwinism, by the doctrine of natural selection, was like looking at a sunset and saying "Someone has struck a match". As for Freud, the reductionism of his system made me remember the refrain out of Marianna in Moated Grande — "He cometh not, she said, she said I am aweary aweary, O God that I were dead!". This was my mind, not his, and I had a right to it....
We question free will, doubt it, dismiss it, experience it. We declare our own triviality on a small speck of dirt circling a small star at the rim of one countless galaxies and ignore the heroic insolence of the declaration. We have diminished the world of God and man in a universe ablaze with all the glories that contradict that diminution.
Of man and God. We have come to it, have we not? I believe in God; and you may think to yourselves — here is a man who has left a procession and gone off by himself only to end with another gasfilled image he towns round with him at the end of the rope. You would be right of course. I suffer those varying levels or intensities of belief which are, it seems, the human condition. Despite the letters I still get from people who believe me to be still alive and who are deceived by the air of confident authority that seems to stand behind that first book, Lord of the Flies, nevertheless like everyone else I have had to rely on memories of moments, bet on what once seemed a certainty but may now be an outsider, remember in faith what I cannot recreate.
