“The cultural revolutionary wants to show how roles can be stretched, pulled apart, combined with other roles, and used incongruously. He acts out of a loosened sense of what it means to occupy a role. In this way he helps disrupt frozen connections among social stations, life experiences, and stereotyped forms of insight and sensibility. He thereby carries into the drama of everyday personal relations the effort to free sociability from its script and to make us available to one another more as the originals we all know ourselves to be and less as placeholders in a system of group contrasts.”

— Roberto Mangabeira Unger

Source: False Necessityː Anti-Necessitarian Social Theory in the Service of Radical Democracy (1987), p. 564

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Roberto Mangabeira Unger 94

Brazilian philosopher and politician 1947

Robert L. Kahn (1918–2019) American psychologist

Source: Organizational stress: Studies in role conflict and ambiguity, 1964, p. 14

“The role of past experience is of high importance, but what matters is what one has gained from experience — blind, understood connections, or insight into structural inner relatedness. What matters is how and what one recalls, hoVi he applies what is recalled, whether blindly, in a piece meal way, or in accordance with the situation.”

Max Wertheimer (1880–1943) Co-founder of Gestalt psychology

Source: Productive thinking, 1945, p. 62

“As a rule, each entity is born so that he experiences at least three roles, that of mother, father and child... Beside the three necessary roles there is another quality, different in dimension, which is also necessary for the personality, and this involves the fullest use of potential.”

Jane Roberts (1929–1984) American Writer

Session 163
The Early Sessions: Sessions 1-42, 1997, The Early Sessions: Book 4

“Soumitra Chattopadhyay is the only person in Tollywood who has the equivalent stature as of Amitabh Bachchan. So, why does Soumitra always have to be a father or uncle or grandfather, or just have work in serious roles or portray depressing characters? What is wrong if Soumitra acts in a role that is different from the usual roles he plays? If Bollywood can do experiments, then what is wrong in experimenting things in Tollywood?”

Arin Paul (1980) Indian film director

Interview on Calcuttatube http://calcuttatube.com/arin-paul-exclusive-interview/1608/ (2009)

“The cultural-revolutionary politics of personal relations may be far more firmly established in the domains of domesticity, leisure, and consumption than in the organization of practical life. It may still flourish more strongly among the educated professional classes than among ordinary working people. Its war against the tyranny of roles and hierarchies may be perverted by a lack of institutional imagination. Yet its achievements are real. We cannot understand them merely as a series of episides in the confined life of high culture. We can often trace the ideas of this cultural-revolutionary politics of role-jumbling to the work of small numbers of thinkers, artists, and professional outsiders. But the diffusion of these ideas through the medium of popular culture, and the sympathy with which they have been greeted by ever larger sectors of the population, would have been inconceivable without a prior transformation of social life. As always, people had to see enacted before their eyes a fragmentary example of the connection between the freedom to revise social arrangements and assumptions and freedom from dependence and depersonalization. Only then could they want more of the same and believe more possible.”

Roberto Mangabeira Unger (1947) Brazilian philosopher and politician

Source: False Necessityː Anti-Necessitarian Social Theory in the Service of Radical Democracy (1987), pp. 293-294

“There really is that role for all of us in the building of the culture of life.”

Obianuju Ekeocha (1979) Nigerian biomedical scientist

Source: https://thecatholicspirit.com/uncategorized/raised-in-a-culture-of-life-in-africa-ekeocha-brings-pro-life-message-to-the-world/ speaking on her faith

“To come out from under the protective wall of role, habit, and frozen perception, a person must throw himself into a situation of heightened exposure. He must put himself at greater risk to the harm that other people may do to him and to the destructive influence that enlarged experience may have on what he had previously regarded as his enduring core of identity.”

Roberto Mangabeira Unger (1947) Brazilian philosopher and politician

Source: Plasticity Into Power: Comparative-Historical Studies on the Institutional Conditions of Economic and Military Success (1987), pp. 12-13

“The real test of a man is not how well he plays the role he has invented for himself, but how well he plays the role that destiny assigned to him.”

Václav Havel book Disturbing the Peace

Source: Disturbing the Peace (1986), Ch. 2 : Writing for the Stage, p. 72

“I present in a way that’s not stereotypical, even if I’m playing a stereotypical role.”

Frances McDormand (1957) American actress

The New York Times interview (2017)
Context: My politics are private, but many of my feminist politics cross over into my professional life. Because I portray female characters — so I have the opportunity to change the way people look at them. Even if I wasn’t consciously doing that, it would happen anyway, just because of how I present as a woman, or as a person. I present in a way that’s not stereotypical, even if I’m playing a stereotypical role. … I can’t subtract that from myself anymore. I could when I was younger. … That’s another great thing about getting older. Your life is written on your face.

“Both Borges and Sartre, from their totally different extremes of denying literature a social purpose, were certainly perfectly aware that it has its implicit and unalterable social role in exploring the state of being, from which all other roles, personal among friends, public at the protest demonstration, derive. Borges was not writing for his friends, for he published and we all have received the bounty of his work. Sartre did not stop writing, although he stood at the barricades in 1968.”

Nadine Gordimer (1923–2014) South african Nobel-winning writer

Writing and Being (1991)

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