As quoted by Robert Anton Wilson in Maybe Logic - The Lives and Ideas of Robert Anton Wilson (2003)
From 1980s onwards
1960s, Operating Manual for Spaceship Earth (1963)
"The Designers and the Politicians" (1962), later published in Ideas and Integrities : A Spontaneous Autobiographical Disclosure (1969), p. 234, and The Buckminster Fuller Reader (1970), p. 305
1960s
Context: So long as mathematicians can impose up-and-down semantics upon students while trafficking personally in the non-up-and-down advantages of their concise statements, they can impose upon the ignorance of man a monopoly of access to accurate processing of information and can fool even themselves by thought habits governing the becoming behavior of professional specialists, by disclaiming the necessity of, or responsibility for, comprehensive adjustment of the a priori thought to total reality of universal principles. The everywhere-relative velocities and momentums of interactions, of energetic phenomena of universe, are central to the preoccupations and realizations of the comprehensive designer. The concept of relativity involves high frequency of re-established awareness, and progressively integrating consideration of the respective, and also integrated dynamic complexities of the moving and transforming frame of reference and of the integrated dynamic complexities of the observed, as well as of the series of integrated sub-dynamic complexities, in respect to each of the major categories of the relatively moving frames of reference, of the observer and the observed. It also involves constant reference of all the reciprocating sub-sets to the comprehensive totality of non-simultaneous universe, from which naught may be lost.
Source: Quantum Reality - Beyond The New Physics, Chapter 12, Bell's Interconnectedness Theorem, p. 230
As quoted by Max Jammer, Concepts of Simultaneity: From Antiquity to Einstein and Beyond (2008)
Context: Our conscious appreciation of the fact that one event follows another is of a different kind from our awareness of either event separately. If two events are to be represented as occurring in succession, then—paradoxically—they must also be thought of simultaneously.
Source: Synchronicity: An Acausal Connecting Principle (1960), p. 5
Context: We Shall Naturally look round in vain the macrophysical world for acausal events, for the simple reason that we cannot imagine events that are connected non-causally and are capable of a non-causal explanation. But that does not mean that such events do not exist... The so-called "scientific view of the world" based on this can hardly be anything more than a psychologically biased partial view which misses out all those by no means unimportant aspects that cannot be grasped statistically.
Zamyatin here references a statement in Latin created by the poet Vyacheslav Ivanov: a realibus ad realiora ["from the real to the more real" or “from reality toward a higher reality"]
On Literature, Revolution, Entropy and Other Matters (1923)
Context: Science and art both project the world along certain coordinates. Differences in form are due only to differences in the coordinates. All realistic forms are projections along the fixed, plane coordinates of Euclid's world. These coordinates do not exist in nature. Nor does the finite, fixed world; this world is a convention, an abstraction, an unreality. And therefore Realism — be it "socialist" or "bourgeois" — is unreal. Far closer to reality is projection along speeding, curved surfaces — as in the new mathematics and the new art. Realism that is not primitive, not realia but realiora, consists in displacement, distortion, curvature, non-objectivity. Only the camera lens is objective.
