“The product of movement and counter-movement is tension. When tension — working strength — is expressed, it endows the work of art with the living effect of coordinated, though opposing, forces.”

—  Hans Hofmann

"Excerpts from the Teaching of Hans Hofmann", p. 66
Search for the Real and Other Essays (1948)

Adopted from Wikiquote. Last update June 3, 2021. History

Help us to complete the source, original and additional information

Do you have more details about the quote "The product of movement and counter-movement is tension. When tension — working strength — is expressed, it endows the …" by Hans Hofmann?
Hans Hofmann photo
Hans Hofmann 67
American artist 1880–1966

Related quotes

Kazimir Malevich photo

“There is movement and movement. There are movements of small tension and movements of great tension and there is also a movement which our eyes cannot catch although it can be felt. In art this state is called dynamic movement. This special movement was discovered by the futurists as a new and hitherto unknown phenomenon in art, a phenomenon which some Futurists were delighted to reflect.”

Kazimir Malevich (1879–1935) Russian and Soviet artist of polish descent

Quote c. 1915, in: 'Cubofuturism', Malevich, in his Essays on Art, op. cit., vol 2; as quoted in Futurism, ed. By Didier Ottinger; Centre Pompidou / 5 Continents Editions, Milan, 2008, p. 59
1910 - 1920

“Space expands or contracts in the tensions and functions through which it exists. Space is not a static, inert thing. Space is alive; space is dynamic; space is imbued with movement expressed by forces and counterforces; space vibrates and resounds with color, light and form in the rhythm of life.”

Hans Hofmann (1880–1966) American artist

'Excerpts from the Teaching of Hans Hofmann', p. 66
Search for the Real and Other Essays (1948)

Sören Kierkegaard photo

“Everyone who knows something about the dangers of reflection and the dangerous walk along the road of reflection also knows that it is dubious when a person, instead of getting out of the tension through resolution and action, becomes productive about his state in tension. Then there is no effort to get out of the state, but reflection fixes the situation for reflection and thereby fixes the man. The more richly thoughts and expressions offer themselves, the more briskly the productivity advances-in the wrong direction-the more dangerous it becomes and the more it hides from the person, concerned that his work, his extremely strenuous work, his very interesting (perhaps also for a third party who has a total view) work, is a work of bogging himself down deeper and deeper. That is, he does not work himself loose but works himself fast and becomes interesting to himself by reflecting on the tension and diverts himself with an utterly piecemeal productivity about detached details, with isolated short articles.”

Sören Kierkegaard (1813–1855) Danish philosopher and theologian, founder of Existentialism

The Book of Adler, by Søren Kierkegaard, Hong 1998 p. 127
1840s, The Book on Adler (1846-1847)

Martin Luther King, Jr. photo

“I must confess that I am not afraid of the word "tension." I have earnestly opposed violent tension, but there is a type of constructive, nonviolent tension which is necessary for growth.”

Martin Luther King, Jr. (1929–1968) American clergyman, activist, and leader in the American Civil Rights Movement

1960s, Letter from a Birmingham Jail (1963)
Context: You may well ask: "Why direct action? Why sit ins, marches and so forth? Isn't negotiation a better path?" You are quite right in calling for negotiation. Indeed, this is the very purpose of direct action. Nonviolent direct action seeks to create such a crisis and foster such a tension that a community which has constantly refused to negotiate is forced to confront the issue. It seeks so to dramatize the issue that it can no longer be ignored. My citing the creation of tension as part of the work of the nonviolent resister may sound rather shocking. But I must confess that I am not afraid of the word "tension." I have earnestly opposed violent tension, but there is a type of constructive, nonviolent tension which is necessary for growth. Just as Socrates felt that it was necessary to create a tension in the mind so that individuals could rise from the bondage of myths and half truths to the unfettered realm of creative analysis and objective appraisal, so must we see the need for nonviolent gadflies to create the kind of tension in society that will help men rise from the dark depths of prejudice and racism to the majestic heights of understanding and brotherhood. The purpose of our direct action program is to create a situation so crisis packed that it will inevitably open the door to negotiation.

“The era of Conceptual art - which was also the era of the Civil Rights Movement,. Vietnam, the Women's Liberation Movement, and the counter-culture- was a real.”

Lucy R. Lippard (1937) American art curator

Source: Six Years: The Dematerialization of the Art Object from 1966 to 1972 (1973), p. vii.

Bram van Velde photo

“When I am painting, driven by lively tensions, I want to express what’s going on in me. When that tension has ceased, when the life in me became visible, then something happened which had to happen. Over and over again you experience a work which is created in this way. What happened? It is hard to say, because it was not my mind that led but the inner desire that revealed its inner life.”

Bram van Velde (1895–1981) Dutch painter

Letter to H.P. Bremmer, 17-11-1930, City Archive The Hague, as quoted in: Bram van Velde, A Tribute, Municipal Museum De Lakenhal Leiden, Municipal Museum Schiedam, Museum de Wieger, Deurne 1994, p. 50 (English translation: Charlotte Burgmans)
1930's

Richard Long photo

“The source of my work is nature. I use it with respect and freedom. I use materials, ideas, movement and time to express a whole view of my art in the world.”

Richard Long (1945) artist

Richard Long (1982), cited in: Description of the exhibition Concentrations IX: Richard Long, March 31–July 8, 1984 at the Dallas Museum of Art http://texashistory.unt.edu/ark:/67531/metapth224905/m1/1/.
1980s

Baruch Ashlag photo

“When one begins to work in order to bestow, and this goes against ones nature, this is called "toil," since the body (refers to ones wills and desires) opposes it, being that any movement which the body does not see that it will be use for itself, it opposes with all of its strength, and tremendous powers are needed to overcome it.”

Baruch Ashlag (1907–1991) Polish rabbi

Selected Articles

Nelson Mandela photo

“Exercise dissipates tension, and tension is the enemy of serenity. I found that I worked better and thought more clearly when I was in good physical condition, and so training became one of the inflexible disciplines of my life.”

Nelson Mandela (1918–2013) President of South Africa, anti-apartheid activist

Interview with Gavin Evans, Soweto (15 February 1990) recounted in COVID-19 lockdown: Can you do Nelson Mandela's Robben Island prison cell workout? https://nationalpost.com/news/world/covid-19-lockdown-can-you-do-nelson-mandelas-prison-cell-workout?video_autoplay=true, 7 April 2020
1990s

Asger Jorn photo

“The reckoning with idealism as a view of life is universal, but it also touches on something central in art-its life's substance. One must understand that it is impossible to distinguish between a picture’s form and its substance. As the flower's structure is governed by the intentional tension (when it loses the sap the form is lost), so also with art the substance creates the tension. Form and substance are one and the same. Form is the life expression and substance the living painting.”

Asger Jorn (1914–1973) Danish artist

1940 - 1948, Intimate Banalities' (1941)

Related topics