
“I can’ t go to a restaurant and order food because I keep looking at the fonts on the menu.”
[Knuth, Donald, 2002, All Questions Answered, Notices of the AMS, 49, 3, 321, http://www.ams.org/notices/200203/fea-knuth.pdf, PDF]
Lila (1991)
“I can’ t go to a restaurant and order food because I keep looking at the fonts on the menu.”
[Knuth, Donald, 2002, All Questions Answered, Notices of the AMS, 49, 3, 321, http://www.ams.org/notices/200203/fea-knuth.pdf, PDF]
As quoted in "Master of the Secret World: John le Carré on Deception, Storytelling and American Hubris" by Andrew Ross, in Salon (21 October 1996); also in Conversations with John le Carré (2004) edited by Matthew Joseph Bruccoli and Judith Baughman, p. 141
Context: I use the furniture of espionage to amuse the reader, to make the reader listen to me, because most people like to read about intrigue and spies. I hope to provide a metaphor for the average reader's daily life. Most of us live in a slightly conspiratorial relationship with our employer and perhaps with our marriage. I think what gives my works whatever universality they have is that they use the metaphysical secret world to describe some realities of the overt world.
Quote in Edvard Munch, Hans Dedekam, Kristiana 1909, p. 4
1896 - 1930
E. Jephcott, trans., p. 17.
Dialektik der Aufklärung [Dialectic of Enlightenment] (1944)
E. Jephcott, trans., p. 17
Dialektik der Aufklärung [Dialectic of Enlightenment] (1944)
Mario Bunge, The myth of simplicity, 1963, p, 86-87; As cited in: Colin E. Gunton (1993), The One, the Three and the Many, p. 44
1960s-1990s
"Every Time We Say Goodbye" in Sight and Sound [London] ( June 1991)
Context: What is an artist? A provincial who finds himself somewhere between a physical reality and a metaphysical one... It’s this in-between that I’m calling a province, this frontier country between the tangible world and the intangible one — which is really the realm of the artist.
First line to each performance.
Alice's Restaurant Massacree