The Art of Fiction http://public.wsu.edu/~campbelld/amlit/artfiction.html (1884)
E. M. Forster, "Ronald Firbank", in Abinger Harvest (1936; London: Edward Arnold, 1961) p. 139.
On the 2015 Dadri mob lynching, as quoted in " Dadri lynching: Mob murder an accident, arrested youths too will get justice, says Mahesh Sharma http://indianexpress.com/article/india/india-others/dadri-lynching-union-minister-mahesh-sharma-meets-victim-family-insists-it-was-accident/" The Indian Express (3 October 2015)
“A point highly illustrative of the character of Faraday now comes into view.”
"Points of Character", p. 37.
Faraday as a Discoverer (1868)
Context: A point highly illustrative of the character of Faraday now comes into view. He gave an account of his discovery of Magneto-electricity in a letter to his friend M. Hachette, of Paris, who communicated the letter to the Academy of Sciences. The letter was translated and published; and immediately afterwards two distinguished Italian philosophers took up the subject, made numerous experiments, and published their results before the complete memoirs of Faraday had met the public eye. This evidently irritated him. He reprinted the paper of the learned Italians in the Philosophical Magazine accompanied by sharp critical notes from himself. He also wrote a letter dated Dec. 1,1832, to Gay Lussac, who was then one of the editors of the Annales de Chimie in which he analysed the results of the Italian philosophers, pointing out their errors, and' defending himself from what he regarded as imputations on his character. The style of this letter is unexceptionable, for Faraday could not write otherwise than as a gentleman; but the letter shows that had he willed it he could have hit hard. We have heard much of Faraday's gentleness and sweetness and tenderness. It is all true, but it is very incomplete. You cannot resolve a powerful nature into these elements, and Faraday's character would have been less admirable than it was had it not embraced forces and tendencies to which the silky adjectives "gentle" and "tender" would by no means apply. Underneath his sweetness and gentleness was the heat of a volcano. He was a man of excitable and fiery nature; but through high self-discipline he had converted the fire into a central glow and motive power of life, instead of permitting it to waste itself in useless passion. "He that is slow to anger" saith the sage, "is greater than the mighty, and he that ruleth his own spirit than he that taketh a city." Faraday was not slow to anger, but he completely ruled his own spirit, and thus, though he took no cities, he captivated all hearts.
“Choices determine character.”
Secrets of the Dragon Sanctuary
Ma Ying-jeou (2013) cited in: " Ma calls for rights tolerance in China http://www.taipeitimes.com/News/front/archives/2013/06/05/2003563998" in The Taipei Times, 5 June 2013.
Statement made in commemorating the 24th anniversary of the Tiananmen incident, 4 June 2013.
Political issues
“A character is what he does, yes - but even more, a character is what he means to do.”
Source: 2000s and posthumous publications, A Time Odyssey, Firstborn (2007), Chapter 26, “The Stone Man” (p. 172)
“Subject.... no specific scene but many incidents.”
The first word I spoke was Argula – it has no meaning. I was then five years old. Thus I called this painting 'Argula' as I was entering a new period closer to my instincts.
(Technique..:) Hundreds and hundreds of layers of paint to obtain the weight of reality – Art this period I measured by weight. [mid 1930's]
in his reply to Questionnaires of the MOMA museum, 1941
Gorky's quote refers on his multi-layered painting technique Gorky applied those days
1930 - 1941
