“A painting or sculpture not modeled on any real object is every bit as concrete and sensuous as a leaf or a stone.... [but] it is an incomplete art which privileges the intellect to the detriment of the senses... [art must be like.. ] fruit that grows in man, like a fruit on a plant or a child in it's mother's womb.”

— Hans Arp

Notes From a Dada Diary, published in 1932; as quoted by Anna Moszynska, in Abstract Art, Thames and Hudson, London, 1990, p. 113
1930s

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Hans Arp 42

Alsatian, sculptor, painter, poet and abstract artist 1886–1966

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“art is fruit growing out of man like the fruit out of a plant like the child out of the mother. While the fruit of the plant grows independent forms and never resembles a balloon or a president in a cutaway suit the artistic fruit of man shows for the most part a ridiculous resemblance to the appearance of other things. Reason tells man to stand above nature and to be the measure of all things. thus man thinks he is able to live and to create against the laws of nature and he creates abortions. through reason man became a tragic and ugly figure. i dare say he would create even his children in the form of vases with umbilical cords if he could do so. reason has cut man off from nature.”

Hans Arp (1886–1966) Alsatian, sculptor, painter, poet and abstract artist

Arp wrote this in lowercase letters
Notes From a Dada Diary; published, 1932 in 'Transition magazine'; as quoted (in lowercase letters), “Soby, James Thrall. Arp: The Museum of Modern Art. Doubleday, New York, 1958, Print. p. 17
1930s

“From child births to hearses, flow like the Nile covered surface
Bit the fruit from the serpent.”

Nas (1973) American rapper, record producer and entrepreneur

Nas Is Coming
On Albums, It Was Written (1996)

“The true architectural art, that art toward which I would lead you, rests, not upon scholarship but upon human powers; and, therefore, it is to be tested, not by the fruits of scholarship, but by the touch-stone of humanity.”

Louis Sullivan (1856–1924) American architect

Source: Kindergarten Chats (1918), Ch. 10 : A Roman Temple

“The object of art — like every other product — creates a public which is sensitive to art and enjoys beauty.”

Karl Marx (1818–1883) German philosopher, economist, sociologist, journalist and revolutionary socialist

Grundrisse (1857-1858)
Source: Introduction, p. 12.

“In the appreciation of a work of art or an art form, consideration of the receiver never proves fruitful. Not only is any reference to a particular public or its representatives misleading, but even the concept of an "ideal" receiver is detrimental in the theoretical consideration of art, since all it posits is the existence and nature of man as such. Art, in the same way, posits man's physical and spiritual existence, but in none of its works is it concerned with his attentiveness. No poem is intended for the reader, no picture for the beholder, no symphony for the audience.”

Walter Benjamin (1892–1940) German literary critic, philosopher and social critic (1892-1940)

Nirgends erweist sich einem Kunstwerk oder einer Kunstform gegenüber die Rücksicht auf den Aufnehmenden für deren Erkenntnis fruchtbar. Nicht genug, dass jede Beziehung auf ein bestimmtes Publikum oder dessen Repräsentanten vom Wege abführt, ist sogar der Begriff eines "idealen" Aufnehmenden in allen kunsttheoretischen Erörterungen vom Übel, weil diese lediglich gehalten sind, Dasein und Wesen des Menschen überhaupt vorauszusetzen. So setzt auch die Kunst selbst dessen leibliches und geistiges Wesen voraus—seine Aufmerksamkeit aber in keinem ihrer Werke. Denn kein Gedicht gilt dem Leser, kein Bild dem Beschauer, keine Symphonie der Hörerschaft.
The Task of the Translator (1920)

“I felt like a seed in a pomegranate. Some say that the pomegranate was the real apple of Eve, fruit of the womb, I would eat my way into perdition to taste you.”

Jeanette Winterson (1959) English writer

Source: Written on the Body

“QUESTION: A well-known saying of yours asserts that 'Every man is an artist.' If every man is an artist, then why have art academies and art professors at all?
BEUYS: To be sure, 'every man is an artist' in a general sense: one must be an artist for example, to create self-determination. But at a certain stage in his life every man becomes a specialist in a certain way; one studies chemistry, another sculpture or painting, a third becomes doctor, and so on. For this reason we understandably need special schools.”

Joseph Beuys (1921–1986) German visual artist

Götz Adriani, ‎Joseph Beuys, ‎Winfried Konnertz (1979) Joseph Beuys, life and works. p. 255
1970's

“For the first time, we recognized a medium that takes our ordinary, everyday objects like bowls, baskets, and quilts and elevates them to art forms that rival painting and sculpture in their impact.
(From the forward to "Crafts in America: Celebrating Two Centuries of Artists and Objects.”

Jimmy Carter (1924) American politician, 39th president of the United States (in office from 1977 to 1981)

“Being an artist now means to question the nature of art. If one is questioning the nature of painting, one cannot be questioning the nature of art. If an artist accepts painting (or sculpture) he is accepting the tradition that goes with it. That’s because the word art is general and the word painting is specific. Painting is a kind of art. If you make paintings you are already accepting (not questioning) the nature of art. One is then accepting the nature of art to be the European tradition of a painting-sculpture dichotomy.”

Joseph Kosuth (1945) American conceptual artist

Joseph Kosuth in: Arthur R. Rose, “Four Interviews,” Arts Magazine (February, 1969).

“Now Art, used collectively for painting, sculpture, architecture and music, is the mediatress between, and reconciler of, nature and man.”

Samuel Taylor Coleridge (1772–1834) English poet, literary critic and philosopher

On Poesy or Art (1818)
Context: Now Art, used collectively for painting, sculpture, architecture and music, is the mediatress between, and reconciler of, nature and man. It is, therefore, the power of humanizing nature, of infusing the thoughts and passions of man into everything which is the object of his contemplation.

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