“I was in Rotterdam, but the exhibition there was horrible. Le Fauconnier has nothing to tell anymore. He has a dirty color now and has become a real academic. Mondrian is completely frozen, no poetry at all anymore. It's terrible that these people can not reach further with great ideals. To my taste Alma paints far too much naturalistic. A big difference, these three, compared to [Franz] Marc, Kandinsky, Filla etc..”

— Jacoba van Heemskerck

translation from German, Fons Heijnsbroek, 2018
(original version, written by Jacoba in German:)Ich war in Rotterdam, aber da war eine schreckliche Ausstellung. Le Fauconnier ist nichts mehr. Er hat jetzt eine schmutzige Farbe uns ist ein richtiger Akademiker. Mondrian ist ganz erstarrt, gar kein Poesie mehr. Es ist doch schrecklich, dass die Leute nicht weiter kommen mit grossen Idealen. Alma ist für meinen Geschmack viel zu viel Naturalist. Ein grösser Unterschied, die drei und [Franz] Marc, Kandinsky, Filla etc..
in a letter to Herwarth Walden, 9 Feb. 1915; as cited by Arend H. Huussen Jr. in Jacoba van Heemskerck, kunstenares van het Expressionisme, Haags Gemeentemuseum The Hague, 1982, p. 13
1910's

Adopted from Wikiquote. Last update June 3, 2021. History

Help us to complete the source, original and additional information

Do you have more details about the quote "I was in Rotterdam, but the exhibition there was horrible. Le Fauconnier has nothing to tell anymore. He has a dirty co…" by Jacoba van Heemskerck?

Jacoba van Heemskerck 18

Dutch painter 1876–1923

Related quotes

“By way of news, I can tell you that Couture, that bad-tempered fellow, has completely given up painting. It's no great pity; in this exhibition, he had some really bad paintings.”

Claude Monet (1840–1926) French impressionist painter

in a letter to Eugène Boudin, February 10, 1860: As cited in: Angelika Taschen (1999) Monet, p. 24
1850 - 1870

“As a student of Franz von Stück he Kandinsky still continued for a while to paint quite naturalistically. He admitted to me that he had always loved color, even as a child, far more than subject matter. Form and color were his main interests. To me he often remarked that 'objects disturb me.”

Gabriele Münter (1877–1962) German painter

But he could paint portraits, too.
Source: Interview by Edouard Roditi (1958), p. 116

“Reality has become so intolerable, she said, so bleak, that all I can paint now are the colors of my dreams.”

Azar Nafisi book Reading Lolita in Tehran

Source: Reading Lolita in Tehran

“Last Saturday it was a rainy evening. I took advantage of that to draw once again the whole evening at Dam Square all over and Sunday I repainted my painting [of Dam square] completely, that yellow nasty color has disappeared now completely. The work has become much broader, and I believe it is really finished now. When my model came, the change struck her so strongly that she said, 'sir, the painting has become beautifully now'. I myself am very happy with it, because I believe it is really good.”

George Hendrik Breitner (1857–1923) Dutch painter and photographer

translation from the original Dutch, Fons Heijnsbroek
version in original Dutch (citaat van Breitner's brief, in het Nederlands:) Zaterdag avond was het een regenachtige avond. Ik heb daarvan geprofiteerd en [om] de heele avond op de Dam alles nog eens goed over te teekenen en Zondag mijn schilderij heelemaal overgeschilderd, de geele nare kleur is er heelemaal uit. Het is veel ruimer geworden, en ik geloof dat het er nu is. Toen mijn modelletje kwam, trof haar de verandering zoo erg dat het zei, hè meneer, nou is het schilderij mooi geworden. Ik zelf ben er erg mee in mijn schik, want het is geloof ik, heel goed.
quote of Breitner in a letter to his friend Herman van der Weele, Amsterdam, 14 June 1893; original letter in RKD-Archive, The Hague https://rkd.nl/explore/excerpts/54
1890 - 1900

“Our age has lost much of its ear for poetry, as it has its eye for color and line, and its taste for war and worship, wine and women.”

Henry Adams (1838–1918) journalist, historian, academic, novelist

Mont Saint Michel and Chartres (1904)

“[T]his is the goal of all living, that the cosmos may be known, and admired, and that it may be crowned with further beauties. Nowhere and at no time, so far as we can tell, at least within our own galaxy, has the adventure reached further than in ourselves. And in us, what has been achieved is but a minute beginning. But it is a real beginning.”

Olaf Stapledon book Last and First Men

Source: Last and First Men (1930), Chapter XV: The Last Men; Section 4, “Cosmology” (p. 231)

“I have finished a fairly large painting, the goat; I sometimes spoke to you about my plan. I believe it has become a real painting, and very complete.”

Jan Mankes (1889–1920) Dutch painter

translation from original Dutch: Fons Heijnsbroek

(original Dutch: citaat van Jan Mankes, in het Nederlands:) Ik heb een vrij groot schilderij af, de geit https://commons.wikimedia.org/wiki/File:Mankes_Jonge_witte_geit.jpg; over het plan daartoe sprak ik u wel eens. Het is dunkt me volkomen een schilderij geworden, en heel compleet.

Quote of Jan Mankes (1914) in a letter to A.A.M. Pauwels in The Hague; as cited by J.R. de Groot in 'De bekoring van het gewone - Het werk van Jan Mankes' https://www.dbnl.org/tekst/_ons003199001_01/_ons003199001_01_0014.php, p. 104

[https://commons.wikimedia.org/wiki/File:Mankes_Jonge_witte_geit.jpg
1909 - 1914

“Humanity has but three great enemies: fever, famine, and war; of these by far the greatest, by far the most terrible, is fever.”

William Osler (1849–1919) Canadian pathologist, physician, educator, bibliophile, historian, author, cofounder of Johns Hopkins Hospi…

Vol. I, ch. 14.
The Life of Sir William Osler (1925)

“The crowning experience of all, for the homecoming man, is the wonderful feeling that, after all he has suffered, there is nothing he need fear anymore—except his God.”

Viktor E. Frankl book Man's Search for Meaning

Source: Man's Search for Meaning

“Now I'm sitting quietly at home again and I'm happy to be able to work undisturbed. I made a lot of sketches of life in Germany and it was very intriguing to see life there [in Berlin, a stay for three weeks]. I was also glad to see the old pictures of Rembrandt, Dürer, etc. again and to have the confirmation and encouragement they gave me. As for the moderns, I saw damned little that gripped me... Modern German painting has moved so far away from me and become unintelligible in areas in which my work had, and still has, an influence; but people like Klee, Kandinsky, etc. have moved much closer to me again, in fact I value the Bauhaus more and more. These people are working and developing. You can see that there is development. And they love their work, which is the main thing.”

Ernst Ludwig Kirchner (1880–1938) German painter, sculptor, engraver and printmaker

Letter to Dr. Karl Hagemann, 26 March 1926 (short after a stay of 3 weeks in Berlin; as quoted in the biography-pdf http://www.kirchnermuseum.ch/data/media/downloads/Biography.pdf of the Kirchner museum, Davos
1920's

Help us to complete the source, original and additional information

Jacoba van Heemskerck 18

Related quotes

Related topics