“Indian art has been the product of Indian culture as the Greek art has been the product of Greek culture or the Roman art has been the product of Roman culture. Indian culture, however, has been the product of two streams of thoughts and practices, one, the Folk, belonging to the oral traditions operating at the folk level, in the villages, and, the other, classical, belonging to the sophisticated literary traditions, the former is sometimes called 'Lower Tradition' and the latter 'Higher Tradition.”
Elements of Indian Art (2002)
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Swaraj Prakash Gupta 2
Indian archaeologist and art historian 1931–2007Related quotes
Address to Fiji Week celebrations, 7 October 2005 (excerpts)

Abhinaya and Netrābhinaya
Source: Kapila Vatsyayan, Gurupuja, Mathrubhumi weekly, February (11-17) 1990, p. 7.
Hsiao Tsung-huang (2019) cited in " A country's performing arts reflect its democracy: culture minister http://focustaiwan.tw/news/aedu/201907200010.aspx" on Focus Taiwan, 20 July 2019

We the People interview (1996)
Context: Friendship in the Greek tradition, in the Roman tradition, in the old tradition, was always viewed as the highest point which virtue can reach. Virtue, meaning here, "the habitual facility of doing the good thing," which is fostered by what the Greeks called politaea, political life, community life. I know it was a political life in which I wouldn't have liked to participate, with the slaves around and with the women excluded, but I still have to go to Plato or to Cicero. They conceived of friendship as a supreme flowering, of the interaction which happens in a good political society.

On westernisation, as quoted in " Centre targets 'cultural pollution' http://www.telegraphindia.com/1150908/jsp/frontpage/story_41407.jsp" Calcutta Telegraph (7 September 2015)

Apology to Residential School victims, Parliament, June, 2008.: On Canada
2008
Source: Art on the Edge, (1975), p. 251, "What's New: Ritual Revolution"

By regarding such productions as social facts the analyst is relieved of the burden of demonstrating what meanings these productions have for the artist and his audience. It is too frequently assumed that such meanings can be identified by a capable analyst, independent of the interpretations brought to such works by the artist or his audiences. In my judgement artist productions must be seen as interactional creations; the meanings of which arise out of the interactions directed to them by the artist and his audience.
[The Sociology of Rock, 1978, Frith, Simon (ed.), ISBN 0094602204]