
Quote in: 'L'expression plastique nouvelle dans la peinture', Piet Mondriaan, 'Cahiers d'Art', 1, Paris, 1926, pp. 181-183
1920's
Source: Mimesis: The Representation of Reality in Western Literature (1946), p. 72
Quote in: 'L'expression plastique nouvelle dans la peinture', Piet Mondriaan, 'Cahiers d'Art', 1, Paris, 1926, pp. 181-183
1920's
Part I. Introduction. 1. The Musical Language of the Late Eighteenth Century
Classical Style: Haydn, Mozart, Beethoven (Expanded edition, 1997)
Statement of 1963, as quoted in Schrodinger : Life and Thought (1992) by Walter J. Moore, p. 1
Context: I am now convinced that theoretical physics is actually philosophy. It has revolutionized fundamental concepts, e. g., about space and time (relativity), about causality (quantum theory), and about substance and matter (atomistics). It has taught us new methods of thinking (complementarity), which are applicable far beyond physics.
Source: 1960's, What is Pop Art? Interviews with eight painters' (1963), pp. 25-27
Source: 1908 - 1920, quotes from Artists on Art...(1972), p. 423 - short quotes by Georges Braque on 'Means' - Paris, 1917
from his article: 'The new style in painting', in the Dutch journal 'De Avondpost', 2 May 1916
this quote of Van Doesburg is announcing more or less De Stijl movement as a general modern art style
1912 – 1919
Source: The Reader Over Your Shoulder (1943), Ch.4: "The Use and Abuse of Official English"
Context: The chief trouble with the official style is that it spreads far beyond the formal contexts to which it is suited. Most civil servants, having learned to write in this way, cannot throw off the habit. The obscurity of their public announcements largely accounts for the disrepute into which Departmental activities have fallen: for the public naturally supposes that Departments are as muddled and stodgy as their announcements.
The habit of obscurity is partly caused by a settled disinclination among public servants to give a definite refusal even where assent is out of the question; or to convey a vigorous rebuke even where, in private correspondence, any person with self-respect would feel bound to do so. The mood is conveyed by a polite and emasculated style — polite because, when writing to a member of the public, the public servant is, in theory at least, addressing one of his collective employers; emasculated because, as a cog in the Government machine, he must make his phrases look as mechanical as possible by stripping them of all personal feeling and opinion.
Part II. The Classical Style. 1. The Coherence of the Musical Language
Classical Style: Haydn, Mozart, Beethoven (Expanded edition, 1997)
Source: De Kooning's speech 'What Abstract Art means to me' on the symposium 'What is Abstract At' - at the Museum of Modern Art, New York, 5 February, 1951, n.p.