“In our own time, every earthenware vessel or piece of jewelry, every utensil or garment, has to be designed on paper before it is made. Primitive peoples, however, create their works with the material itself in the artist's hand, held in his fingers. They aspire to express delight in form and the love of creating it. Absolute originality, the intense and often grotesque expression of power and life in very simple forms – that may be why we like these works of native art.”

— Emil Nolde

6.
1900 - 1920, On Primitive Art – Emil Nolde, 1912

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Emil Nolde 28

German artist 1867–1956

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“The proper form of science is explanation and argument, and the proper form of religion and morality is exhortation and command; but that of art is simply the directest embodiment of its theme as the theme itself requires. Assured that the theme is compatible with the ideal nature of art, the artist knows that it will justify itself and work its own work, if it can only find expression in its natural embodiment.”

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“.. the universal cannot be expressed purely so long as the particular obstructs the path. Only when this is no longer the case can the universal consciousness (intuition, that is) which is at the origin of all art, be rendered directly, giving birth to a purified art expression.
This, however, cannot appear before its proper time. For it is the spirit of the times that determines artistic expression, which, in turn, reflects the spirit of the times. But at the present moment, that form of art alone is truly alive which expresses our present - or future - consciousness.”

Piet Mondrian (1872–1944) Peintre Néerlandais

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“What I try to appeal through my works is simple. The opinion is just a simple message that follows: "Love all the creatures! Love everything that has life"! I have been trying to express this message in every one of my works. Though it has taken the different forms like "the presentation of nature," "the blessing of life," "the suspicion of too much science-oriented civilisation," anti-war and so on.”

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As quoted in Japan-zone http://www.japan-zone.com/modern/tezuka_osamu.shtml

“Today every child knows what Merz is. But what is 'i'? I is the middle vowel of the alphabet and the designation for the consequence of Merz in relation to an intensive apprehension of the art form. For the shaping of the work of art Merz uses large ready-made complexes that count as material, to shorten as much as possible the path leading from the intuition to the actualization (Sichtbarmachung) of the artistic idea, so as to avoid heat loss through friction. i defines this path as o (i setzt diesen Weg = null). Idea, material, and work of art are the same. i apprehends the work of art in nature. Here the artistic shaping is the recognition of rhythm and expression in a part of nature. Thus, no loss through friction i. e., no disturbing distraction during creation occurs here.”

Kurt Schwitters (1887–1948) German artist

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“The first and foremost critic of a work of art is the artist who created it. Give him every means to illustrate it and make it known. If an artist awaits celebrity or gratefulness for his work through other people, he will have the time to die a thousand times for sheer hunger.”

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So I think, so I paint (1947)

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Misattributed

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