“Thoughts in a poem. The poet presents his thoughts festively, on the carriage of rhythm: usually because they could not walk.”

— Friedrich Nietzsche , book Human, All Too Human

1.189
Human, All Too Human (1878)

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Friedrich Nietzsche 655

German philosopher, poet, composer, cultural critic, and cl… 1844–1900

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Context: He could not be captured,
He could not be bought,
His running was rhythm,
His standing was thought;
With one eye on sorrow
And one eye on mirth,
He galloped in heaven
And gambolled on earth. And only the poet
With wings to his brain
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The steed of the skies,
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Who sings as he flies.

“The poet walked alone in a cold late rain,
And thought his grief was like the crying of sea-birds;
For his lover was dead, he never would love again.”

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“You know these things as thoughts, but your thoughts are not your experiences, they are an echo and after-effect of your experiences: as when your room trembles when a carriage goes past. I however am sitting in the carriage, and often I am the carriage itself.”

Friedrich Nietzsche (1844–1900) German philosopher, poet, composer, cultural critic, and classical philologist

Disputed

“He would not yield, he thought, and walk more slowly,
As if he knew for certain he walked to death:
But with his usual pace,—deliberate, firm,
Looking about him calmly, watching the world,
Taking his ease...”

Conrad Aiken (1889–1973) American novelist and poet

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“All poets face the same task to 'follow the prompts' and satisfactorily shape the amorphous sounds, rhythms, images or phrases by which a potential poem is recognised.”

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“The poet presents the imagination with images from life and human characters and situations, sets them all in motion and leaves it to the beholder to let these images take his thoughts as far as his mental powers will permit.”

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Context: The poet presents the imagination with images from life and human characters and situations, sets them all in motion and leaves it to the beholder to let these images take his thoughts as far as his mental powers will permit. This is why he is able to engage men of the most differing capabilities, indeed fools and sages together. The philosopher, on the other hand, presents not life itself but the finished thoughts which he has abstracted from it and then demands that the reader should think precisely as, and precisely as far as, he himself thinks. That is why his public is so small.

“The human mind is [a poet's] individual mind at first, but as soon as he writes a poem it becomes our [the readers'] minds too. There is no self-expression in [a poet's] poem, because once the poem is there the individual [poet] has disappeared. …there is really no such thing as self-expression in literature.”

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“This I Believe — by that name, we present the personal philosophies of thoughtful men and women in all walks of life.”

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Context: This I Believe — by that name, we present the personal philosophies of thoughtful men and women in all walks of life. In this brief space, a banker or a butcher, a painter or a social worker, people of all kinds who need have nothing more in common than integrity, a real honesty, will write about the rules they live by, the things they have found to be the basic values in their lives.

“A lot of people have gone further than they thought they could because someone else thought they could”

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“The modern poet has no essential alliance with regular schemes of any sorts. He reserves the right to adapt his rhythm to his mood, to modulate his metre as he progresses. Far from seeking freedom and irresponsibility (implied by the unfortunate term free verse) he seeks a stricter discipline of exact concord of thought and feeling.”

Herbert Read (1893–1968) English anarchist, poet, and critic of literature and art

Collected Essays in Literary Criticism (1938)
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“Thoughts in a poem. The poet presents his thoughts festively, on the carriage of rhythm: usually because they could not walk.”

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Friedrich Nietzsche 655

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