“So my answer to why I wrote this book [about Pakistani textbooks] is: I have written for posterity. (Sometimes I feel that I have written all my books for the generations whom I will not see). In a hundred years' time; when the future historian sets out to contemplate the Pakistan off an age gone by and look for the causes that brought it low, he might find in this book of mine one small candle whose quivering flame will light his path.”

“the most remarkable piece of reading that you may be recommended to take and try if you can study is a book by Goethe—one of his last books, which he wrote when he was an old man, about seventy years of age—I think one of the most beautiful he ever wrote, full of mild wisdom, and which is found to be very touching by those who have eyes to discern and hearts to feel it. It is one of the pieces in "Wilhelm Meister's Travels." I read it through many years ago; and, of course, I had to read into it very hard when I was translating it (applause), and it has always dwelt in my mind as about the most remarkable bit of writing that I have known to be executed in these late centuries. I have often said, there are ten pages of that which, if ambition had been my only rule, I would rather have written than have written all the books that have appeared since I came into the world.”

“Far out across the Mojave there arose the shimmer of heat. I made my way up the path to the Ford. In the seat was a copy of my book, my first book. I found a pencil, opened the book to the fly leaf, and wrote: To Camilla, with love, Arturo I carried the book a hundred yards into the desolation, toward the southeast. With all my might I threw it far out in the direction she had gone. Then I got into the car, started the engine, and drove back to Los Angeles.”

“I cannot choose one hundred best books because I have only written five”

“I am an unrepentant book lover, and so soaked am I in the love of books that I feel – poor twentieth-century shopkeeper that I am – I feel that Pliny is a man I know, for all the eighteen centuries and more that lie between us. Pliny used to say (you will see it in a translation I have on my shelves) that no book was so bad that some good might be got out of it, and that is my feeling. I – and Pliny – born and bred so differently, feel the same about books and it gives me a flattering sense of rightness – sitting here in this shop among books that Pliny could not have imagined – books written in a language which was not then evolved – the thought makes me feel thrilled. There is no other word for it, but I dare not tell it to anyone. It is an astonishing secret to me that I must enjoy alone.”

“It might be my favorite book of mine. It was a very exciting time in my life. I was writing that book while I was at college. Sort of like the best of times, the worst of times. There was a lot of elation, there was a lot of despair. It was just a really fun book to write. I loved mimicking all the different voices. The stream of conscious does get a little out of hand. I kind of like that about the book. It's kind of all over the place. It's casual. It's scruffy. That's the one book of mine that I have a very, very soft spot for.”

“I guess I should have written two books of my life, one for the adults and another for the kids.”

“I think of Neuromancer as being, in a good sense, an adolescent book. It's a young man's book. It was written very young-man's-book. It was written by a man who was not very young, when he wrote it, but who was sufficiently immature.”

“I found that I had written a book which even bankers' daughters could read and weep over and feel good about. I swore to myself that if I every wrote another book, no one would weep over it; that it would be so hard and deep that they would have to face it without the consolation of tears.”

“Each time I write a book, every time I face that yellow pad, the challenge is so great. I have written eleven books, but each time I think, ‘Uh oh, they’re going to find out now. I’ve run a game on everybody and they’re going to find me out.”