“…to be able to say of a representation that it is "exactly like Nature " is by no means equivalent to saying that it is a fine picture.”

Source: Part II : Practical Pictorial Photography, Fidelity to nature and justifiable untruth, p. 3

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Alfred Horsley Hinton64

British photographer 1863–1908

Paul Goodman book Growing Up Absurd

Source: Growing Up Absurd (1956), p. 6.

“Suffer. You could say it means endure, but that's not exactly right”

E. Lockhart book We Were Liars

Source: We Were Liars

“An example: if I compose a picture using as objects a scrap of bark, a scrap of butterfly wing and a purely imaginary form, you probably won't recognise the bark, or the butterfly wing, and you'll say: 'What does this stand for? It is an abstract picture. No it's a representational picture'... There is no such thing as 'abstract', or 'concrete' either. There is a good picture and a bad picture. There is the picture that moves you and the picture that leaves you cold... A picture has a value in itself, like a musical score, like a poem.”

Fernand Léger (1881–1955) French painter

Quote in Un Nouveau Realisme, la Couleur Pure et l'Object, Fernand Léger, Ms 1935
Quotes of Fernand Leger, 1930's

“I heard nothing from his excellence [Mr. Keiller bought a picture of 1000 pond and sent Israëls the money but no word about the picture]... I am sure he will be satisfied by it when he hears it is good. I have some practice in those matters of amateurs. The best pictures are the worst for them naturally. They have not the tools to understand it, but when they hear other saying it is fine, they make a high breast saying 'I' ordered that picture..”

Jozef Israëls (1824–1911) Dutch painter

Quote in a letter from The Hague, 19 Feb. 1886, to collector / friend Dr. John Forbes White in Aberdeen; as cited in Jozef Israëls, 1824 – 1911, ed. Dieuwertje Dekkers; Waanders, Zwolle 1999, Bijlage 2., p. 363
Quotes of Jozef Israels, 1871 - 1900

“If you think about things that happen, as being computations... a computation in the sense that it has definite rules... You follow them many steps and you get some result. ...If you look at all these different computations that can happen, whether... in the natural world... in our brains... in our mathematics, whatever else, the big question is how do these computations compare. ...Are there dumb ...and smart computations, or are they somehow all equivalent? ...[T]he thing that I ...was ...surprised to realize from ...experiments ...in the early 90s, and now we have tons more evidence for ...[is] this ...principle of computational equivalence, which basically says that when one of these computations ...doesn't seem like it's doing something obviously simple, then it has reached this ...equivalent layer of computational sophistication of everything. So what does that mean? ...You might say that ...I'm studying this tiny little program ...and my brain is surely much smarter ...I'm going to be able to systematically outrun [it] because I have a more sophisticated computation ...but ...the principle ...says ...that doesn't work. Our brains are doing computations that are exactly equivalent to the kinds of computations that are being done in all these other sorts of systems. ...It means that we can't systematically outrun these systems. These systems are computationally irreducible in the sense that there's no ...shortcut ...that jumps to the answer.”

Stephen Wolfram (1959) British-American computer scientist, mathematician, physicist, writer and businessman

Stephen Wolfram: Fundamental Theory of Physics, Life, and the Universe (Sep 15, 2020)

“If, then, we focus our attention on the balanced relation, we shall be able to see unity in natural things. However, there it appears under a veil. But even though we never find unity expressed exactly, we can unify every representation, in other words, the exact representation of unity can be expressed; it must be expressed, for it is not visible in concrete reality.”

Piet Mondrian (1872–1944) Peintre Néerlandais

1910's, Natural Reality and Abstract Reality', 1919

“Fine feathers, they say, make fine birds.”

Isaac Bickerstaffe (1733–1812) Irish playwright and librettist

The Padlock (1768).

“A picture or representation of human figures, ought to be done in such a way as that the spectator may easily recognise, by means of their attitudes, the purpose in their minds.”

Leonardo Da Vinci (1452–1519) Italian Renaissance polymath

The Notebooks of Leonardo da Vinci (1883), IX The Practice of Painting
Context: A picture or representation of human figures, ought to be done in such a way as that the spectator may easily recognise, by means of their attitudes, the purpose in their minds. Thus, if you have to represent a man of noble character in the act of speaking, let his gestures be such as naturally accompany good words; and, in the same way, if you wish to depict a man of a brutal nature, give him fierce movements; as with his arms flung out towards the listener, and his head and breast thrust forward beyond his feet, as if following the speaker's hands. Thus it is with a deaf and dumb person who, when he sees two men in conversation — although he is deprived of hearing — can nevertheless understand, from the attitudes and gestures of the speakers, the nature of their discussion.

“I know exactly what I have photographed [in his series 'Equivalents', 1925 - 1934]. I know I have done something that has never been done... I also know that there is more of the really abstract in some 'representation' than in most of the dead representations of the so-called abstract so fashionable now.”

Alfred Stieglitz (1864–1946) American photographer

In a letter about his 'Equivalents' to w:Hart Crane; as quoted in Photography as High Art, Hilton Kramer, (1982-12-19)., in 'New York Times'. p. 1. Retrieved 2008-12-26; as quoted on Wikipedia.

“People who take things too literally don't get much of anything from my teaching. By never saying anything I mean, I say a great deal. I never mean anything I say under oath. I never mean exactly what I say. Not even this. You have to read between the words.”

John Sloan (1871–1951) American painter

In John Sloan on Drawing and Painting. Mineola NY: Dover Publications, 2000. Originally published in 1939 as The Gist of Art, p. 7.
The Gist of Art (1939)

“…to be able to say of a representation that it is "exactly like Nature " is by no means equivalent to saying that it is a fine picture.”

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Alfred Horsley Hinton64

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