“In the case of a novel, or any imaginative work, especially if the tone is poetic, my own preference is for ending with a touch of symbolism which shall leave the reader brooding. A fine novel, a well-written story, "proves" nothing. Certain characters have played their parts, life goes on, and the final passage may be allowed to remain with one foot in the air, as is the case with some of Chopin's conclusions. But there is no absolute rule in such matters, and there are epic novelists who like to end on a powerful crescendo, as Ravel does in Bolero, or Dvorak in the New-World Symphony. Composition has features which are common to all the arts, and the author can learn as much about his business in the concert hall as in the library.”

— André Maurois

The Art of Writing

Adopted from Wikiquote. Last update June 3, 2021. History

Help us to complete the source, original and additional information

Do you have more details about the quote "In the case of a novel, or any imaginative work, especially if the tone is poetic, my own preference is for ending with…" by André Maurois?

André Maurois 202

French writer 1885–1967

Related quotes

“The novelist with a prudent prodigality may employ descriptions, dialogues, and episodes, which would be fatal in a drama. Characters may be introduced and dismissed without having any important connection with the plot; it is enough if they serve the purpose of the chapter in which they appear. Although as a matter of fine art no character should have a place in a novel unless it form an integral element of the story, and no episode should be introduced unless it reflects some strong light on the characters or incidents, this is a critical demand which only fine artists think of satisfying, and only delicate tastes appreciate. For the mass of readers it is enough if they are mused; and indeed all readers, no matter how critical their taste, would rather be pleased by a transgression of the law than wearied by prescription. Delight condones offence. The only question for the writer is, whether the offence is so trivial as to be submerged in the delight. And he will do well to remember that the greater flexibility belonging to the novel by no means removes the novel from the laws which rule the drama.”

George Henry Lewes (1817–1878) British philosopher

The Principles of Success in Literature (1865)

“The cinema may have a specific beauty of its own, but it does not permit that constant re-reading, that meditative brooding, those turning-back to passages heavily charged with meaning, which form the special pleasure of the novel-reader.”

André Maurois (1885–1967) French writer

The Art of Writing

“[On his process for writing novels:] I can't imagine what the first sentence is, I can't imagine where I want the reader to enter the story, if I don't know where the reader is going to leave the story. So once I know what the last thing the reader hears is, I can work my way backward, like following a roadmap in reverse.”

John Irving (1942) American novelist and screenwriter

A modern novelist of Dickensian tradition, Spotlight, Russia Today, January 24, 2009 http://www.youtube.com/watch?v=ost0Gyl2V1I,

“A novel is what you dream in your night sleep. A novel is not waking thoughts although it is written and thought with waking thoughts. But really a novel goes as dreams go in sleeping at night and some dreams are like anything and some dreams are like something and some dreams change and some dreams are quiet and some dreams are not. And some dreams are just what any one would do only a little different always just a little different and that is what a novel is.”

Gertrude Stein (1874–1946) American art collector and experimental writer of novels, poetry and plays

"The Superstitions of Fred Anneday, Annday, Anday; a Novel of Real Life" (1935)
How Writing Is Written: Previously Uncollected Writings, vol.II (1974)

“The journalist researches a story. The novelist imagines it.
What’s funny is, you’d be amazed at the amount of time a novelist has to spend with people in order to create this single lonely voice. This seemingly isolated world.
It’s hard to call any of my novels “fiction.””

Chuck Palahniuk (1962) American novelist, essayist

Stranger Than Fiction: True Stories (2004)

“…I have discovered that plays are easier to write than novels if the writer has a certain verbal facility, a certain capacity for the colloquial, an ear for the secret cadences of the spoken word. A play can be written with more ease than a novel…”

Luis Rafael Sánchez (1936) Puerto Rican playwright and novelist

On plays versus novels in “Luis Rafael Sánchez: Counterpoints" https://ufdc.ufl.edu/UF00096005/00024/14j (Sargasso, 1984)

“There is a part of me in every character, naturally. That's why novelists rarely write good autobiographies. You start one and it becomes another novel - bound to.”

John Dos Passos (1896–1970) novelist, playwright, poet, journalist, painter

"An Interview with Mr. John Dos Passos," New York Times, Nov 23 1941

“I love when a crucial novel leaves a trace in my memory. In this, its ending plays a significant part—creating a wake effect that is never erased.”

Maylis de Kerangal (1967) French writer

On the writings that she favors in “Maylis de Kerangal by Jessica Moore” https://bombmagazine.org/articles/maylis-de-kerangal/ in Bomb Magazine (2015 Dec 15)

“For me [fiction] is a manner of philosophizing … Philosophy may be only a shadow of the reality it tries to grasp, but the novel is altogether more satisfactory. I am almost tempted to say that no philosopher is qualified to do his job unless he is also a novelist … I would certainly exchange any of the works of Whitehead or Wittgenstein for the novels they ought to have written.”

Colin Wilson (1931–2013) author

Source: Voyage To A Beginning (1968), p. 160-1

“The ‘novel’ is a publishing convention that deforms the story. If more attention were given to form there would be fewer novels and better stories. There's no reason a publisher can’t put out a story that's a hundred or even seventy pages long. But a publisher will look at a story like that as defective novel, ineligible for shortlists. It should be in a collection. Or pumped full of air, turned into a novel… It's a pity. You see some good writers behaving like performing monkeys.”

Philip Ó Ceallaigh (1968) Irish writer

Interview by Tom Vowler (2010-13)

Help us to complete the source, original and additional information

André Maurois 202

Related quotes

Related topics