
The Notebooks of Leonardo da Vinci (1883), IV Perspective of Disappearance
The Notebooks of Leonardo da Vinci (1883), IV Perspective of Disappearance
The Notebooks of Leonardo da Vinci (1883), IV Perspective of Disappearance
Source: Less Than Nothing (2012), Chapter One (The Drink Before), Vacillating The Semblances
Context: The implicit lesson of Plato is not that everything is appearance, that it is not possible to draw a clear line of separation between appearance and reality (that would have meant the victory of Sophism), but that essence is "appearance as appearance,"that essence appears in contrast to appearance within appearance; that the distinction between appearance and essence has to be inscribed into appearance itself. Insofar as the gap between essence and appearance is inherent to appearance, in other words, infsofar as essence is nothing but appearance reflected into itself, appearance is appearance against the background of nothing - everything appears ultimately out of nothing.
Source: Glamour: A World Problem (1950), Certain Preliminary Clarifications
1950s, Atoms for Peace (1953)
Context: Against the dark background of the atomic bomb, the United States does not wish merely to present strength, but also the desire and the hope for peace. The coming months will be fraught with fateful decisions. In this Assembly; in the capitals and military headquarters of the world; in the hearts of men every where, be they governors, or governed, may they be decisions which will lead this work out of fear and into peace. To the making of these fateful decisions, the United States pledges before you--and therefore before the world--its determination to help solve the fearful atomic dilemma--to devote its entire heart and mind to find the way by which the miraculous inventiveness of man shall not be dedicated to his death, but consecrated to his life.
“a figure should be a part of the background against which it is placed”
De visione Dei (On The Vision of God) (1453)
The Notebooks of Leonardo da Vinci (1883), IV Perspective of Disappearance
The Notebooks of Leonardo da Vinci (1883), III Six books on Light and Shade
Quote by John Cage that Banes relates to Warhol's work in Greenwich Village 1963: Avant-garde Performance and the Effervescent Body, Sally Banes, Duke University Press, 1993; p. 124
1963 - 1967