“What is important to me in my work is the identity that is hidden behind so-called reality. I search for a bridge from the given present tot the invisible, rather as a famous cabalist once said, 'If you wish to grasp the invisible, penetrate as deeply as possible into the visible.”
In his public speech 'On my painting', for the exhibition 'Twentieth-Century German Art', London, 21 July 1938; as quoted in Max Beckmann, Stephan Lackner, Bonfini Press Corporation, Naefels, Switzerland, 1983, p. 77
1930s
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Max Beckmann 52
German painter, draftsman, printmaker, sculptor and writer 1884–1950Related quotes

Source: 1930s, On my Painting (1938), p. 12

Michel Henry, Incarnation. Une philosophie de la chair, éd. du Seuil, 2000, p. 221
Books on Religion and Christianity, Incarnation: A philosophy of Flesh (2000)
Original: (fr) Ma chair n’est donc pas seulement le principe de la constitution de mon corps objectif, elle cache en elle sa substance invisible. Telle est l’étrange condition de cet objet que nous appelons un corps : il ne consiste nullement en ces espèces visibles auxquelles on le réduit depuis toujours ; en sa réalité précisément il est invisible. Personne n’a jamais vu un homme, mais personne n’a jamais vu non plus son corps, si du moins par « corps » on entend son corps réel.
Notes from the "The Pseudo-Iamblichos Scroll" in The Spirit Stone (2007)
Context: In some sense, every magician is a weaver, merely one who works with invisible strands of the hidden light. With it we weave our various forms, just as a weaver produces cloth, and then stitch them into the images we desire, just as a tailor sews cloth into a tunic or robe. If we be journeymen in our craft, forces will come to inhabit our forms, just as a person will come to buy the tunic and place it over his body. But if we have plumbed the secret recesses of our art, if we are masters of our craft, then we can both weave the forms and place our own bodies within them.
“I wish I was invisible to him, to everyone.”
Source: By the Time You Read This, I'll Be Dead

Quote from 'A. Beuys in the wilderness', 1974 (lecture at the Ulster Museum); as cited in Joseph Beuys and the Celtic Wor(l)d: A Language of Healing, Victoria Walters, LIT Verlag Münster, 2012, p. 198
1970's

Claudia Koonz, The Nazi Conscience, London and Cambridge, MA: Belknap Press of Harvard University (2004) p. 13. Quote from March, 1933.
1930s