
“The form of my painting is the content.”
as quoted in "Abstract Art", Anna Moszynska, Thames and Hudson 1990, p. 173
1969 - 1980
"Fenestralia" http://books.google.com/books?id=YZMhAAAAMAAJ&q=%22There+is+much+virtue+in+a+window+It+is+to+a+human+being+as+a+frame+is+to+a+painting+as+a+proscenium+to+a+play+as+form+to+literature+It+strongly+defines+its+content%22&pg=PA147#v=onepage, Mainly on the Air (1946), The Atlantic ( April 1944 http://books.google.com/books?id=5KAGAQAAIAAJ&q=%22There+is+much+virtue+in+a+window+It+is+to+a+human+being+as+a+frame+is+to+a+painting+as+a+proscenium+to+a+play+as+form+to+literature+It+strongly+defines+its+content%22&pg=PA85#v=onepage)
“The form of my painting is the content.”
as quoted in "Abstract Art", Anna Moszynska, Thames and Hudson 1990, p. 173
1969 - 1980
Source: 1969 - 1980, In: "Ellsworth Kelly: Works on Paper," 1987, pp. 9-10 : 'Notes from 1969'
“The truth has its own virtue, which is separate from its content.”
Source: A Stranger in Olondria (2013), Chapter 17, “The House of the Horse, My Palace” (p. 248)
In both sexes is played out the same drama of the flesh and the spirit, of finitude and transcendence; both are gnawed away by time and laid in wait for by death, they have the same essential need for one another; and they can gain from their liberty the same glory. If they were to taste it, they would no longer be tempted to dispute fallacious privileges, and fraternity between them could then come into existence.
The Second Sex (1949)
Socialism and Society (1905), pp. 164-165
1900s